“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Sunday, May 30, 2010

“Ya Wanna Do It Here Or Down The Station, Punk?”: Erin Kelly

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
THE CUTTING ROOM by Louise Welsh left me breathless. It’s tartan noir at its most deft, dark and literary. She really is a master storyteller. It tells the story of Rilke, a dissolute auctioneer who finds a cache of disturbing erotic photos in a house clearance. She takes a character who was in the gutter to begin with and sends him into a downward spiral.

Who do you read for guilty pleasures?
I have no guilty pleasures, only deeply unfashionable ones; once every few years I chain-read Virginia Andrews’ Dollanganger saga.

Most satisfying writing moment?
The day I realised THE POISON TREE was finished and I had actually written a novel. I almost didn’t care if no one read it. (This lasted for about a week. Then I cared again, a lot.)

The best Irish crime novel is …?
I’ve loved both of Tana French’s novels, IN THE WOODS and THE LIKENESS; gritty and tender, for me they absolutely capture the dark side of Dublin during the boom.

What Irish crime novel would make a great movie?
THE LIKENESS (see above) was rich with young, sexy, intriguing characters and the Wicklow mountains are the perfect film backdrop.

Worst / best thing about being a writer?
The freedom and power of creating new worlds is pretty intoxicating for a control freak like me. Plus, it’s fun; I can tell when I’m writing something good because it doesn’t feel like writing, it feels like reading. The worst thing is the physical discomfort. I know, I’m not exactly working down a mine, but sitting at a desk all day, getting RSI and watching your ass go square slowly impacts your vertebrae and crushes your spirit.

The pitch for your next book is …?
It’s about Paul, a young man who acts as the ‘eyes’ for his childhood friend Daniel, who is illiterate, angry, loyal and charming. Gradually Daniel’s protection turns into a desire for control that threatens to ruin Paul’s life until one night, Paul makes a split-second decision that will get Daniel out of the way for good. With Daniel’s father out for revenge, Paul escapes to build a new life in a different part of the country. There he begins a relationship with Louisa, a woman who has even darker, more dangerous secrets than he does. Who will catch up with Paul first?

Who are you reading right now?
THE WILDING by Maria McCann. It’s a deceptively thrilling literary novel about Civil War, sex and cider. What’s not to like?

God appears and says you can only write OR read. Which would it be?
I’d plea-bargain my soul to be allowed both. If that didn’t work ... well, I write one book a year, and read maybe sixty, so it has to be reading.

The three best words to describe your own writing are …?
Up all night.

Erin Kelly’s THE POISON TREE is published by Hodder & Stoughton.


Maxine Clarke said...

Nice Q/A. I've read The Poison Tree and liked it - my review is submitted to Euro Crime and I hope will be out on a Sunday near you soon.

Other books in this genre I've read recently (as well as The Likeness) are The Pull of the Moon by Diane Janes, Half Broken Things by Morag Joss and Twisted Wing by Ruth Newman, though in that last case the students concerned lived in their college, not in an actual house. Popular subgenre just now!

Declan Burke said...

Ta, Maxine. I haven't read THE POISON TREE yet, but hoping to get to it soon. This college-crime subgenre: influenced by Donna Tartt's THE SECRET HISTORY?

Cheers, Dec

Wilhem Spihntingle said...

Being a big fan of Brett Easton Ellis, and Donna Tartt is usually referenced when Ellis is mentioned, I always have wanted to read THE SECRET HISTORY. The follow up to LESS THAN ZERO,is coming out soon, it's called IMPERIAL BEDROOMS. I'll be giving it a read.

Declan Burke said...

Wilhelm - A sequel to LESS THAN ZERO? Colour me intrigued ...

I can't imagine where Donna Tartt and Bret Easton Ellis intersect. I thought THE SECRET HISTORY one of the most plodworthy books I've ever read.

Cheers, Dec