“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Monday, October 5, 2009

“Ya Wanna Do It Here Or Down The Station, Punk?”: Stuart Neville

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
AMERICAN TABLOID by James Ellroy. It’s just the sheer scale of the thing, the ambition of it. It’s a tie for my favourite novel of all time with Tom Wolfe’s BONFIRE OF THE VANITIES.

Who do you read for guilty pleasures?
I collect old movie novelisations. The cinema in Armagh closed when I was a kid, so the only way I could experience things like ET or Raiders of the Lost Ark was by reading them in book form. Even today, I search charity shops for hidden gems. Some novelisations are very good (Poltergeist by James Kahn, Fort Apache: The Bronx by Heywood Gould) and some of them are bloody awful. Freebie and the Bean, for instance, is possibly the worst book ever written. While the source material for that was pretty poor, the novelisation of Dirty Harry had a great story to work from, and it was still bloody awful.

Most satisfying writing moment?
The first time I actually managed to type the last words of a full honest-to-God novel. It didn’t matter that it turned out to be not very good; I had proven that I could actually climb that mountain, and that was a huge step forward psychologically.

The best Irish crime novel is …?
I think I’d have to say Bateman’s DIVORCING JACK, simply because he blazed a trail for Northern Irish crime writers.

What Irish crime novel would make a great movie?
I recently read Gerard Brennan’s THE WEE ROCKETS. I think it’d make a really good TV serial with its urban setting and big cast of characters.

Worst / best thing about being a writer?
The worst thing is that panicky feeling when you’ve invested a huge chunk of your life in something and you don’t know if it was any good or not. Conversely, the best thing is finding out you hadn’t wasted your time after all, and someone thinks it’s worth reading. The second best thing was a couple of days ago when a pretty checkout girl in the supermarket asked me in a hushed tone if I was “that author from the papers”. That was pretty good.

The pitch for your next book is …?
Belfast cop Jack Lennon starts digging into an apparent Republican feud when he realises his former lover Marie McKenna and their daughter Ellen were somehow involved and are now missing. As he delves deeper he discovers it might not have been the feud the authorities claimed, but when he challenges his superiors, he is told to leave it alone. When someone starts picking off survivors of the feud, Lennon knows he must act.

Who are you reading right now?
I’m reading AFTERMATH by Ruth Dudley Edwards. It’s an account of the Omagh bombing, and how the families of the victims fought for justice through the civil courts when the criminal system let them down. Some of it is so harrowing it’s very painful to read, and I can’t imagine how difficult it must have been to write. I’ll be on a panel with Ruth at this year’s Bouchercon inIndianapolis, which will be interesting.

God appears and says you can only write OR read. Which would it be?
This is kind of a Catch 22; I couldn’t write if I didn’t read, so I think I’d have to choose the egg over the chicken. Or something.

The three best words to describe your own writing are …?
Hard, fast, brutal.

Stuart Neville’s THE GHOSTS OF BELFAST is published in the U.S. by Soho Crime


seana graham said...

That novelization collection sounds pretty interesting. I'm sure others have done so, but it's the first time I've heard of one.

I trust Stuart has since made up for lost time in the movie department.

NQ said...

Great stuff. Fully agree re 'American Tabloid' and it felt like 'Divorcing Jack' opened some doors for me, too. And i'm not Irish.

Dana King said...

I was fortunate enough to share a drink with Stuart and Peter Rozovsky at Bouchercon. A very nice man, and, from all indications here and elsewhere, a fine writer. I'm adding GHOSTS OF BELFAST to my list.