A GONZO NOIR: In Which The Log-Rolling Dilemma Rears Its Ugly Log

As all three regular readers of CAP will be aware, my latest opus – BAD FOR GOOD: A GONZO NOIR – is being sent out to publishers for the by-now traditional mass rejection. Notwithstanding the fact that it may never be published, I’ve already started asking other writers for blurbs, which is a necessary evil in this day and age. As all three regular readers of CAP – one of whom, I’m reliably informed, is Adrian McKinty (right, currently topping the ‘Who is the Sexiest Irish Crime Writer?’ poll) – will also be aware, I think Adrian McKinty is a terrific writer. I got in touch with him after reading DEAD I WELL MAY BE, which is as good a novel of any stripe as I’ve ever read, and we’ve stayed in touch since. As well as being a top writer, he’s a good bloke, and at this stage he’s a mate.
  In saying all that, I asked him to read BFGAGN as part of my ongoing bid for world domination because he’s one of my favourite writers – his latest, FIFTY GRAND, is in my not-entirely-humble opinion one of the best novels published to date this year. Anyway, the point of telling you all that is that you may or may not want to take what he says about BFGAGN below with a Siberian mine-sized pinch of salt. To wit:

“What happens when the voices in a writer’s head come to life? In Declan Burke’s funny and intelligent A GONZO NOIR we find out. Burke has written a deep, lyrical and moving crime novel about the difficulty of writing a crime novel. Dangerous fictional creations and real people and fictionalised real people battle for a writer’s soul in an intoxicating and exciting novel of which the master himself, Flann O’Brien, would be proud.” – Adrian McKinty, author of FIFTY GRAND.

  I’m not questioning the man’s integrity, you understand. I’m just saying, it’s best to be up-front and honest about these things. It’s a small matter of principle …