“Young homeless women and drug addicts are being abducted before being brutally mutilated and murdered, and a city is held in grip of unspeakable terror. The cops are unable – or unwilling – to apprehend the elusive killer, and corrupt politicians turn a seemingly blind and almost approving eye to the catalogue of murders. The perpetrator is cunning, wealthy and influential. More importantly, he has never once made a mistake in his grisly calling – until now. By abducting Katie, the young daughter of legendary private investigator, Karl Kane, the killer has just made his first mistake, which could well turn out to be his last.”Not that I’m in any position to throw stones after the Hernandez / Mercado debacle in the Adrian McKinty review below, but over at Amazon UK, they’re touting it as ‘A KARL LANE NOVEL’. Which suggests that Amazon has just made its first mistake … which could well turn out to be its last. Sam? My advice is to sic Karl on their case …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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