LaBeouf was supposed to star in director Neal Burger’s new feature, “Dark Fields”. Burger, the man behind “The Illusionist” and “The Lucky Ones”, was supposed to start shooting this fall.Meanwhile, and staying with Alan Glynn-related malarkey, I’m about halfway through his second novel, WINTERLAND, and it’s living up to all the hup-yas so far …
But the shoot was postponed because LaBeouf had smashed his hand in a car accident last July. He had hand surgery, according to reports, and the injury was worked into “Transformers 2”, which was held up for a month while LaBeouf recuperated.
Burger had signed him for “Dark Fields”, in which the 21-year-old star of “Indiana Jones and Kingdom of the Crystal Skull” was supposed to play a man who stumbles on a one of a kind smart pill. The screenplay, by Leslie Dixon, is based on a novel by Alan Glynn.
But now I’m told that LaBeouf has withdrawn completely, and the search is on for a new leading man. “Shia’s hand is totally shattered, it’s much worse than anyone thought,” says a source, indicating the area around the thumb needs more surgery.
So stay tuned, as all the young actors in Hollywood line up to take Shia’s place.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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