“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Friday, May 2, 2008

The Thieves’ Journal*

Shawn Patrick Bagley (right) tags the Grand Vizier for a project Patti Abbott is working on called Fridays: The Book You Have to Read, the gist of which is to refresh people’s memories about great books that might have slipped off the radar. Quoth Patti:
“I’m worried that we are letting some great books of the recent past slide out of print and out of our consciousness. Not the first-tier classics we can all name perhaps, but that group of books that comes next.”
Sounds just about jake to us. The Grand Vizier’s choice? Edward Anderson’s Depression-era classic, THIEVES LIKE US. To wit:

“They steal …”

According to Raymond Chandler, THIEVES LIKE US (1937) is “one of the great forgotten novels of the ’30s”. Given that Edward Anderson published only one other novel (HUNGRY MEN, in 1935), and that Anderson garners little more than a footnote in the margins of American literature, it is perhaps unsurprising that THIEVES LIKE US has been consigned to the dustbin of history.
  Taking its cue from the social realism of John Steinbeck’s dustbowl sagas, and utilising the spare, hard-boiled rhythms of Ernest Hemingway and Dashiell Hammet, THIEVES LIKE US represents a literary masterclass in social critique. Anderson took to the road to research his debut novel, HUNGRY MEN, which chronicled the plight of the transients and hobos who travelled the trains during the Depression of the `30s; his experience had not noticeably diminished his compassion for a disenfranchised, alienated underclass by the time he came to write THIEVES LIKE US.
  HUNGRY MEN won the Doubleday Story prize in 1935; Anderson used the prize money to travel to Texas, where he interviewed his cousin, then a convicted bank robber serving time in Huntsville State Penitentiary. Taking the contemporary exploits of Clyde Barrow and Bonnie Parker as his starting point, the author recounted the exploits of the young jail-breaker Bowie and his lover Keechie as they twist and turn in a desperate, doomed attempt to escape the law, their criminal background, and the eventually lethal suspicions of society at large.
  America had suffered economic deprivation on the scale of the Depression-era ’30s before, most notably in the 1870s and the 1890s. What made the depression of the ’30s different was the mobility of the ravaged underclass; when the communist authorities in the USSR sanctioned the screening of John Ford’s THE GRAPES OF WRATH (1940), in order to demonstrate the folly of capitalism, it had to be withdrawn again when the proletariat marvelled at how even the most deprived of the American poor could afford to drive cars.
  Bowie and Keechie’s battle to establish a life worth living was not a new story to proletarian America, but their cross-country flight and dogged determination to stay one step ahead of the law suggested that – in theory at least – it was possible to escape the ties that bind. The Promised Land beckoned, and all a man and a woman needed was a tank full of gas and one even break …

* With abject apologies to Jean Genet

5 comments:

pattinase (abbott) said...

Thanks so much for this great recommendation. Loved the movie but never thought about the book until now. Anytime you want to play, just send me word.

Declan Burke said...

Hi Patti - Delighted to play, enjoyed it hugely ... I think the novel is terrific ... Up there with Horace McCoy's KISS TOMORROW GOODBYE. In fact, I might just lob KTG at you for next week ... Cheers, Dec

colman said...

gonna read this baby this week as promised, along with some McCOY, probably They Shoot Horses

Don Anderson said...

Okay, GV, on your recommendation I just ordered this online. It had better be good, or yer kneecaps won't know what hit 'em.

Declan Burke said...

Don, I'll be shocked if you don't like it. But if you don't, you'll find that Ray Banks already has my kneecaps. He keeps them in a jar in his lab, apparently. Cheers, Dec