Neurologist Durcan dissects the ethics involved when politics, medicine and violence collide in this finely wrought novel about a neurologist turned biotech entrepreneur who travels to The Hague to witness his mentor’s war crimes trial. Patrick Lazerenko is a punk teen in Montreal when he first meets Hernan García, the Spanish immigrant owner of a neighbourhood grocery store. Caught trying to vandalize Hernan’s store, Patrick is roped into working off the damages and soon finds himself attached to the García family. When Patrick sees Hernan’s backroom medical consultations with local immigrants, he is inspired to become a doctor himself. Years later, a journalist exposes Hernan—dubbed the Angel of Lepaterique—as having been mixed up in the CIA-backed torture of subversive citizens in Honduras in the 1980s. Parallels to Abu Ghraib and Guantanamo are acute (and even overtly identified) as Hernan is accused of witnessing and aiding in detainee torture. Subplots involving a devious political think-tank, the long-expired romance between Patrick and Hernan’s daughter and the goings-on at Patrick’s company, provide a rich backdrop to the trial, but the centrepiece is the mélange of complex feelings that arise within Patrick, who finds himself simultaneously condemning and rooting for Hernan. – Publishers WeeklyFor much, much more of the same, jump on over to Liam Durcan’s interweb yokeybus. Just don’t mention Mursheen and / or pickin’ praties.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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