“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Monday, January 28, 2008

The Monday Review

It’s Monday, they’re reviews, to wit: “The whole setup of this novel reminded me immediately of Raymond Chandler’s first novel … Hughes seems bent on doing the same thing for Dublin that Ross MacDonald did for the Los Angeles area. Hughes twists and turns his characters and events so much that even a close reader has to stay on his toes in order to keep that. And the writing is packed with detail, emotion, and history. This is a gifted storyteller at work,” says Mel Odom at Blog Critics of THE COLOUR OF BLOOD. Meanwhile, is this the first review of THE PRICE OF BLOOD? “In his third appearance (see THE COLOR OF BLOOD and THE WRONG KIND OF BLOOD) Loy does what he does best: gets tattered and threatened but keeps on ticking. The story line is fast-paced … and though filled with neat twists never slows down until the final altercation … Private investigative fans will enjoy Declan Hughes’ strong Irish mystery,” says Harriet Klausner at Genre Go-Round Reviews … Derek Landy’s SKULDUGGERY PLEASANT gets the hup-ya from Jerry Jarrell at Lithography 101: “Fans of Eoin Colfer’s Artemis Fowl series or anyone who likes a dash of violence and danger served up with magical humour will enjoy this book.” Lovely … “A well thought-out plot with interesting twists, engaging characters, and a likeable protagonist have been the hallmarks of Paul Charles’ previous novels. The author has received stellar reviews from the British press for good reason,” says Bob Walch at I Love A Mystery of THE DUST OF DEATH … Crimefic at It’s A Crime! likes Andrew Nugent’s SECOND BURIAL: “He creates strong believable characters and a plot to keep you guessing. The circumstances of Shad’s death are so heart-breaking you are compelled to read on … This novel offers something different in the genre and excellently so.” Harriet Klausner was a busy bee this week. Here she reviews Ken Bruen’s AMERICAN SKIN in the Mystery Gazette: “Violence may be as American as cherry pie, but Mr. Bruen takes murder and mayhem to caricature levels in this fun tale.” Amy at The It Blog likes Benny Blanco’s CHRISTINE FALLS: “This was a pretty good mystery from Irish writer John Banville … I almost feel like this could be considered just general fiction.” Meanwhile, Emer O’Kelly in the Sunday Independent gives THE SILVER SWAN the big-up: “The book is in some ways a sordid read in its creeping credibility; there is an angry stench of corruption from its pages because Benjamin Black is as much a master describing the life of the criminal gutter as John Banville is of the metaphysical exploration of human relationships.” Here’s posh – Brian McGilloway’s BORDERLANDS was reviewed in the Times Literary Supplement. “This is a well-written crime novel ... If this indeed, as seems the case, the first in a series, then the ending leaves plenty of scope for development and much to look forward to in future books,” says Karen Latimer … Writing in The Times, Alyson Rudd liked Tana French’s IN THE WOODS: “Even frustrated readers praised French’s style and dialogue. She writes with spark, wit and pace … it pulls you in with a mixture of ghostly reminiscence and the gory present.” The late, lamented Siobhan Dowd’s latest, BOG CHILD, got a very positive review in the Sunday Independent: “This important, challenging and powerful book will grip any mature teenage or adult reader,” says Sarah Webb. Finally, the Florida wing of Irish crime fiction, Michael Haskins, has been wallowing in some pretty strong big-ups for his debut CHASIN’ THE WIND this week, to wit: “Haskins weaves a political conspiracy plot to equal Grisham or Ludlum, and then pumps it with patriotism, camaraderie and a touch of romance,” says Jackie Houchin in the American Chronicle, while the ubiquitous Harriet Klausner was equally impressed at Genre Go-Round Reviews: “CHASIN’ THE WIND is an engaging crime thriller that will have readers (with the exception of those who still expect to find the WMDs) rethinking the relationship with Cuba … an offbeat, entertaining thriller.” Wot? There were no WMDs? Sheesh, how come we’re always the last to know?

No comments: