The cocaine cultureIf anyone can come up with a better manifesto for Irish crime fiction, we’re all ears. And if that sounds a tad cynical, then bear in mind that the crime writers, along with the first drafters of our grubbier history, the tabloid journalists, have been pretty much saying what the Old Lady said on Saturday for well over a decade now. Meanwhile, our sincere condolences to the French, Doyle and Grey families.
Cocaine kills. So does heroin. And so do the gangland suppliers of these illegal drugs. Yet the consumption and supply of potentially lethal substances continues to increase without any forceful public reaction to the undermining of social and community values and the rule of law. Recent cocaine-related deaths and gangland murders underline the need to shake ourselves out of this waking nightmare.
President Mary McAleese addressed the issue last month. The only way to stop gangland criminals from flourishing, she said, was for people to refuse to buy the illegal materials they sell. It wasn’t an original insight. But it placed responsibility for vicious gangland murders and the devastation of communities where it ultimately belonged: on the heads of those citizens whose personal decisions prop up the criminal underworld.
That is an uncomfortable reality, particularly for those middle-class people who behave as if their personal social habits are somehow disconnected from the rest of life. Drug users choose not to think about the gun-feuds and murders that form the backdrop to their cocaine supply. They blank out deaths from overdoses and adulterated materials. If they are young, they think they are bullet-proof and that the negative consequences of drug-addiction will happen to others.
The past 10 years of unprecedented economic growth have made the Republic wealthy beyond its dreams. With that wealth has come lifestyle changes and a diminution in social responsibility. Drug abuse has spread out of working-class neighbourhoods where – lamentably – we have been prepared to accept and tolerate it. Yet a common code of values that links us all and encourages personal commitment is at the heart of a healthy society. We need to recognise and give effect to such a social contract if crime gangs are to be challenged and illegal drug use controlled. […]
Government policies haven’t worked. Its initiatives lacked resources and sufficient urgency. That must change. We are experiencing a wave of illegal drug-taking that is swamping all sections of society. Young people are dying. And the crime bosses are growing more powerful and dangerous. Their corrupting influence is spreading. In this situation, we all have a responsibility to make hard choices.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
1 comment:
"If anyone can come up with a better manifesto for Irish crime fiction, we’re all ears."
Not cynical at all, that's what fiction's for. If that's what dominates crime, then it should be in the crime fiction, too.
For too long now it seems that crime fiction (at least in North America) has been dominated by serial killers and and other murders. Crime fiction really is murder-mystery, which is too bad because it's disconnected from the culture.
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