“I felt compelled to go. So I went, and I’m glad I did. There was a memorial service for Siobhan Dowd in Oxford yesterday. The Holywell Music Rooms was a beautiful place to have it. The weather was beautiful. And the celebration of Siobhan’s life and work was beautifully put together. Siobhan’s husband Geoff and friends started it off by singing Gypsy Rover. Then David Fickling (“the Lancashire Comedian”) and Fiona Dunbar did their Oscars-style presentation. Siobhan’s sisters Denise and Oona talked about their childhood, and read from a favourite book. Bella Pearson read from A SWIFT PURE CRY and Phil Earle from THE LONDON EYE MYSTERY, which just showed us again how good these books are. Geoff read a poem by Siobhan, and Meg Rosoff read an extract from Siobhan’s next book, BOG CHILD. There was a lot of music and singing. Nick Gill played Scott Joplin. Daryl Wells sang Nina Simone. And we had real Bulgarian Gypsy music from Mike Limmer and Morski. There were readings from James Joyce, Irina Ratushinskaya, Henrietta Branford, Ezra Pound and Dylan Thomas …”It’s all very sad, especially given Siobhan’s talent – she was feted as a future ‘literary lion’ by the Sunday Times earlier this year. Still, they need storytellers in heaven too, don’t they?
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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