“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Wednesday, October 24, 2007

Paul Charles: Number 2 With A Bullet!

A couple of interesting snippets from Verbal’s interview with Paul Charles (right), who’s currently getting plenty of much-deserved oxygen for THE DUST OF DEATH. First up is Paul’s thoughts on plotting, or the lack of, to wit:
Surprisingly, Charles is never sure when he begins a book how it is going to turn out. “That’s part of the buzz for me. Finding out what happens. If I knew whodunnit beforehand I don’t think I would write them at all. It’s more exciting not to know. My method is to ‘find’ the body along with my detective and then go off on his journey with him to work out what happened. I go into his life, just like the reader, and meet all the people he meets and draw conclusions, some erroneous at the start, from those meetings. To be honest, I can’t actually remember writing the first line, or starting the book. It’s a kind of organic process. I mull the idea over for a while and then it comes.”
Marvellous. Heading off at something of a tangent takes us from the sublime to the ridiculous via the American Billboard chart, Verbal then tosses in a lovely piece of trivia.
During the early 1970s Charles was manager, lyricist, roadie, sound-engineer and agent for the Belfast band Fruupp, who were signed to Dawn Records and worked around the UK for several years. Sheba’s Song, one of Charles’s songs from that period (co-written with band member John Mason) has just been sampled and covered by America Rap artist Talib Kweli with Nora Jones guesting on vocals. Eardrum, the album which the song appears on, went to number 2 in America’s Billboard chart this month.
Paul Charles, eh? He’s a little bit rock, a little bit roll, a little bit rap-sample champ. It’ll take a nation of millions to hold him back now …

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