“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Wednesday, October 31, 2007

Hooray For Lollywood

’Tis a good time to be an Irish crime writer in Hollywood, people: there’s a veritable raft of projects on various slates right now, some of which are more advanced than others. Ken Bruen’s (right) people are still waiting a final decision from Russell Crowe on a Brant movie, while Ronan Bennett is polishing off a script based on PUBLIC ENEMIES, for Michael Mann, with Leonardo DiCaprio pencilled in for eye candy. Meanwhile, Derek Landy, as regular readers will already know, has been signed up by Warners to fill a Harry Potter-shaped hole for a seven-figure sum to script his own SKULDUGGERY PLEASANT, a contract that includes the opportunity to develop the inevitable computer game to follow. Then there’s Michael Collins, who has been a busy little bee: according to his website, THE RESURRECTIONISTS has come under the watchful eye of John Madden, he of Shakespeare In Love fame, while LOST SOULS is currently being adapted by A Film Monkey Production. As if that wasn’t enough, Collins has also adapted a screenplay for Erick Jonka, Julia, starring Tilda Swinton. Finally, John Connolly (left) reports to CHUD (Cinematic Happenings Under Development) that it’ll be a while before THE BOOK OF LOST THINGS, to be helmed by John Moore, sees the silver screen, to wit: “THE BOOK OF LOST THINGS is some way off. Before that appears, we may see THE NEW DAUGHTER, based on one of my short stories; SANCTUARY, which is based on BAD MEN; and possibly an adaptation of my story THE ERLKING, all of which are at a more advanced stage than THE BOOK OF LOST THINGS.” It’s like we keep telling you, people: crime always pays …

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