“It takes some big cojones for a writer to slap a title like [THE BIG O] on a piece of crime fiction. With Declan Burke, there is no lack in the cojones department. For those that have partaken in Burke’s EIGHTBALL BOOGIE, this book is utterly different. Burke has grown as a writer and THE BIG O is everything fans of dark, fast, tightly woven crime fiction could want … What could be an overly complicated and confusing book is well structured and well paced. By using clearly marked narrative separation, Burke skilfully lets the reader know what is going on with the entire cast, event by event. He does this seamlessly and with mordant humour. As each scene unfolds, tension mounts and hilarity ensues. And guess as the reader might, there is no way to predict how the finale will unfold.”Jen? If we weren’t already married, you’d be applying for a restraining order right about now. Meanwhile, two of the generous souls over at Shots Mag – aka Ali Karim and Tony Black – have seen fit to post up a feature about our humble offering over at their interweb page thingagummy, lobbing us into the middle of some distinctly dubious-looking company that includes Ian Rankin, Michael Connelly, Cathi Unsworth and Robert Ferrigno. Consider our gob well and truly smacked. As for our gast, well, it’s never had a flabbering quite like it …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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