In the sixteenth century, as it is now, the Burren, on the western seaboard of Ireland, was a land of grey stone forts, fields of rich green grass and swirling mountain terraces. It was also home to an independent kingdom that lived peacefully by the ancient Brehon laws of their forebears. On the first eve of May, 1509, hundreds of people from the Burren climbed the gouged-out limestone terraces of Mullaghmore Mountain to celebrate the great May Day festival, lighting a bonfire and singing and dancing through the night, then returning through the grey dawn to the safety of their homes. But one man did not come back down the steeply spiralling path. His body lay exposed to the ravens and wolves on the bare, lonely mountain for two nights ... and no one spoke of him, or told what they had seen. And when Mara, a woman appointed by King Turlough Don O’Brien to be judge and lawgiver to the stony kingdom, came to investigate, she was met with a wall of silence ...Erm, maybe it’s just us, but practically every Irish woman we’ve ever met has been a ‘judge and lawgiver’. Or is it just us? Answers on the back of used €20 notes to the usual address …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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