For intelligence operative Sean Dillon, it is a routine passport check. But the events it will lead to will be as bloody as any he has ever known. The man he stops at Heathrow airport is Caspar Rashid, born and bred in England, but with family ties to a Bedouin tribe fiercely wedded to the old ways, as Rashid has just found out to his pain. His thirteen-year-old daughter, Sara, has been kidnapped by Rashid’s own father and taken to Iraq to be married to a man known as the Hammer of God, one of the Middle East’s most feared terrorists. Dillon has had his own run-ins with that tribe, and when the distraught man begs him for help, he sees a chance to settle some old scores – but he has no idea of the terrible chain of events he is about to unleash, nor of the implacable enemies he is about to gain. Before his journey is done, many men will die – and Dillon may be one of them.The indestructible Dillon dead? Pshaw, blurb elves, for shame – lure us not with your patently false elf-promises. You won’t be warned again …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
1 comment:
I'm way behind on my Jack Higgins reading, but those "middle period" books under various names (the ones written just before he broke out) remain among my favorite thrillers. I re-read one every now and then with great pleasure.
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