“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
Wednesday, August 8, 2007
“Ya Wanna Do It Here Or Down The Station, Punk?” # 974: Darragh McManus
What crime novel would you most like to have written?
I was blown away the first time I read The Big Nowhere by James Ellroy. The bebop rhythms of the writing, the labyrinthine plot, the complexity of the characters, with all their ambiguities, their casual racism and fundamental decency … So original, I didn’t really know if I liked it or not until halfway through.
Who do you read for guilty pleasures?
The TV listings, to see what movies are on. Also partial to the odd trashy novel about zombies.
Most satisfying writing moment?
There have been a few times, writing fiction, when the sentence or paragraph has come together so perfectly that I’ve thought, ‘Yes. There it is. This can’t get any better’, and actually thought of myself, however temporarily, as somewhat comparable to all the great writers I admire.
The best Irish crime novel is …?
Can Eoin McNamee’s Resurrection Man count as a crime novel? It’s certainly my favourite Irish novel of all time.
What Irish crime novel would make a great movie?
See above. (Yes, I know they already made a movie of it, but it could have been better.)
Worst/best thing about being a writer?
The opportunity to let your mind go free and make stuff up – it’s that simple. Inventing people and situations and conversations. Much more satisfying than the real world.
The pitch for your next novel is…?
‘In a world of pain, Jim ‘Propane’ McDonovan is the really, really bad toothache.’
Who are you reading right now?
George Orwell, Why I Write; Primo Levi, If This is a Man; and, believe it or not, I’m also trying to grapple with James Joyce’s Ulysses. This is an atypical week, clearly. I’m not normally this highbrow.
The three best words to describe your own writing are…?
Funny, smart, sincere.
Darragh McManus is spit-‘n’-polishing his crime debut Even Flow as you read. His current work of non-fiction, GAA Confidential, is “Perhaps the funniest, most cultured book ever written about [Irish] national sports.” (Irish Independent)
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