Q: Sunless used to be Doctor Salt, which was already released in the UK. Can you explain what caused you to rewrite the book, and how it's different?Glad that’s cleared up. Oh, and anyone uttering the words ‘cherry’ ‘bite’ ‘of’ and ‘second’ in a grumbly tone will be summarily lashed to a gurney and sedated until Christmas. You have been warned.
A: “As I look now at the final manuscript of Sunless, I realize that it’s the novel I set out to write almost four years ago. I would go so far as to say that Doctor Salt, which was published in 2004 in the UK, was a first draft of Sunless. I wrote it too fast, and the sense I was after just wasn’t in the novel. When Peter Mayer said last year he wanted to release Doctor Salt in the US, I saw the chance to write the real novel, if you like, and this I hope I’ve done in Sunless. Sunless is vastly different from Doctor Salt. Where there were two narrators in the first novel, now there is one. The plot is simpler, a linear line from the young boy who loses his brother to the teenager who begins to experiment with his mother’s tranquilizers, to the criminal who loses his mind to meth. The language changes with the narrator’s state of mind, as if the reader has also taken a pill and is trapped with the results and must sit and watch the novel change. And in Sunless the relationship between politics and the commercial peddling of drugs to Americans is better articulated, or articulated for the first time. The novel suggests how drug companies essentially invent disorders in order to sell drugs to cure them, and how this practice reflects a wider willingness on the part of people to believe what they are told and what they are sold. But in the end it’s a novel of loss and the effects of loss on a human being. That you can’t cure grief with a pill.”
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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