“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
1 comment:
I liked the first few books by Jim Kelly (I think I've probably only read three not four, though, so must check that out). In some ways I think the first is the best as it has the most muscular plot (hope that adjective does not sound pretentious but I can't think of a more apt one), but his writing confidence improves with subsequent books. However, as the story of the protag's life develops, the reader feels the storyline of the wife, etc, is running out of steam a bit.
Leaping off at a tangent, that's why I am keen to read Giles Blunt's next (am waiting for the pb), but I have just clicked from reading this post that you are only wriring about Irish fiction so I guess that lets old Tundra Blunt out of the pic.
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