“Declan Burke’s The Big O carries on the tradition of Irish noir with its Elmore Leonard-like style. Here the dialogue is as slick as an ice run, the plot is nicely intricate, and the character drawing is spot on. There is a large list of folk involved, from Karen, who does stick-ups, through Rossi, who is Joe Pesci to a T if the book is ever filmed, through Ray, the phlegmatic hostage keeper, through Frank, who wants his ex-wife kidnapped, through Detective Doyle, who is on the lookout for a man, and through Anna, who is a large dog. Throw them all into the mix and the result is a high-octane novel that fairly coruscates with tension.”‘Coruscates’, eh? Now that right there is a seriously classy verb.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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