“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Tuesday, June 5, 2007

Brought To Book # 43: Adrian McKinty on The Third Policeman

Like Samuel Beckett, Oscar Wilde and Seamus Heaney, Flann O’Brien spent his formative years in the bleak, rainy moorland of western Ulster. Someday a Ph.D. student will write a thesis explaining how this dour, sodden, landscape helped produce four of Ireland’s best and wittiest writers, but the mystery need not detain us - anyone who has ever tried to coax directions out of a County Tyrone farmer will understand why west Ulster humour is necessarily dark, laconic, labyrinthine and filled with irony. Beckett and Wilde were at the Portora Royal School in Enniskillen but O’Brien, like Heaney, was of humbler stock, born Brian O’Nolan in Omagh, in 1911. After education at parochial school Brian O’Nolan moved to Dublin, joined the Irish Civil Service and began writing, adopting not one but two pseudonyms: Flann O’Brien for his novels and Myles na Gopaleen for his column in the Irish Times. His first book was the precocious and brilliant At Swim Two Birds, a surrealistic epic of Irish country life, published in 1939. Unfortunately the world had other things on its mind in 1939 and At Swim Two Birds died the death of most debut novels. Still Flann stuck it, producing several more books including The Hard Life and The Dalkey Archive. Unlike his contemporary Samuel Beckett Flann O’Brien was not recognized as a great writer in his lifetime, either by the Nobel Prize Committee or by anybody else. However by the late 1960's At Swim Two Birds had been rediscovered as a classic and the clamour for Flann O’Brien increased after the posthumous publication of The Third Policeman in 1967. The plot of The Third Policeman is not easy to summarize, as it’s not only the most comic but also the most surrealistic Irish crime novel ever written. The one-legged unnamed hero (or anti-hero) of the story has murdered a man for the contents of a black box. The black box may contain money or a magic talisman or his soul or the key out of purgatory. The hero is being investigated by rural Irish policemen who are obsessed by bicycles and he in turn is obsessed by the ramblings of an insane college professor and the mysterious Third Policeman, who may be Satan or an Angel or God himself. I know this doesn’t sound promising but you had to be there and you should be there - the book gets odder as it goes along and funnier too. Admirers of The Third Policeman are many. It is not a stretch to suggest that Flann O’Brien is a Celtic Kafka or an Irish Borges and, as viewers of Lost have discovered, Flann O’Brien’s influence and reputation has done nothing but grow over the years. Predicting stuff is a mug’s game but I’d give Grand National odds then when The Da Vinci Code and Hannibal Lecter and even (dare I say it) Harry Potter are forgotten in the mists of time, people will still be reading The Third Policeman not for some ‘Important Books’ college course, but rather for the sheer, unbridled joy of spending a while in the company of a truly weird comic genius.- Adrian McKinty

Adrian McKinty's The Bloomsday Dead is available in all good bookshops

1 comment:

Peter Rozovsky said...

Nice trick, working "a mug's game" into a piece about Flann/Myles. I shall immediately look for more references to the "Catechism."
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Detectives Beyond Borders
"Because Murder Is More Fun Away From Home"
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