"There are many consolations for those of us consigned to the category of genre fiction, not least that we are much more popular than our self-consciously literary condescenders. I eschew the company of literary writers; I adore the crime writers. We laugh at the pretensions of those who think themselves our betters and we enjoy each other because our backgrounds and preoccupations are so disparate and therefore so interesting. We include, among our number, vets and spies and solicitors and teachers and nurses and linguists and journalists and erstwhile prostitutes, criminals and murderers."Erm, how come we haven't run into any of these 'erstwhile' nurses then, eh? For more of the same, jump over to The Telegraph ... but beware, fancy-pants literary-types, Ruth ain't taking no prisoners.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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