Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...
What crime novel would you most like to have written?
I am by no means an aficionado of crime novels, but I would have liked to have written [Mario Puzo’s] THE GODFATHER.
What fictional character would you most like to have been?
Easy, Jay Gatsby.
Who do you read for guilty pleasures?
Bret Easton Ellis. His sequel to LESS THAN ZERO just came out and I’m looking forward to seeing what happened to all the characters.
Most satisfying writing moment?
I was toiling away on the novel, participating and wasting a lot of time on writer’s forums and one day I purchased Stephen King’s ON WRITING. It was the best money I ever spent and from that moment on, I felt empowered, enthusiastic, and had hope that I might just be able to pull it off.
The best Irish crime novel is …?
At this stage of the game, I’m like a schoolboy trying to learn from the many talented Irish crime headmasters I have come to know and read lately. If I had to pick one that has really moved me, it would be RESURRECTION MAN by Eoin McNamee.
What Irish crime novel would make a great movie?
I really, really wish Guy Ritchie would take on Declan Burke’s THE BIG O.
Worst / best thing about being a writer?
Self-doubt and editing are the worst. The best thing by far is the sense of accomplishment. Even if no one ever reads my novel, I set a goal of trying to do it, put in the time and effort, and I’m really proud of myself.
The pitch for your next book is …?
When wealthy Russian mobsters contract L.A psychologist Joel Fischer to develop a device to manipulate minds, the DreemWeever exceeds all expectations. Everything is on track for delivery and a big payday, until two adventurous stoners steal his Dodge Challenger that, unknown to them, contains the DreemWeever in its trunk. Fischer and his crew have two days to get it back or he dies.
Who are you reading right now?
HARD MAN by Allan Guthrie, CRIME ALWAYS PAYS by Declan Burke, and WAKE UP DEAD by Roger Smith. All are excellent and all the crime authors I’m discovering of late make me feel like I did as a kid when I discovered a new band.
God appears and says you can only write OR read. Which would it be?
Reading. Since I was a child, reading has taken me to foreign lands, exposed me to different cultures, and introduced me to all sorts of interesting characters (real and imaginary). Plus, I could never write, if I didn’t read.
The three best words to describe your own writing are …?
Cinematic, Rock-n-Roll, Twisted.
Sean Patrick Reardon’s MINDJACKER is available via Smashwords.
“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.