“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Thursday, May 7, 2009

BLOOD RUNS COLD: Hot Stuff, Baby

Ah yes, the wonders of technology. The news that Alex Barclay (right) won the inaugural Irish Books Awards crime fic gong filtered through by way of interweb blog (thank you, Bob), text messaging (commiserations, Brian), and Borg-style mind-meld (get out of my dreams, Alex, and get into my car, etc.).
  Yes indeedio – showing a blatant disregard for the exit poll conducted right here on Crime Always Pays, in which Alex Barclay came fourth, the good folks at the IBA, and the wider voting public, gave the thumbs aloft to BLOOD RUNS COLD. Which suggests that the IBA vote was rigged (boo!) or that the Crime Always Pays readership doesn’t know its arse from its elbow (there’s a new one for you, Peter). Personally, I’m inclined to believe the latter …
  Meanwhile, in other categories, Derek Landy scooped the Senior Children’s Award for PLAYING WITH FIRE, and Ronan O’Brien won the Best Newcomer Award for CONFESSIONS OF A FALLEN ANGEL. For the full list of winners, clickety-click here
  Anyhoos, the crime fic award couldn’t have gone to a nicer home. I’ve met Alex Barclay on a few occasions, and rather than the high maintenance diva I was expecting from her ultra-glam publicity shots, she’s actually a down to earth gal, and very funny to boot. And, of course, she’s a terrific writer. Nice one, Ms Barclay.
  Commiserations to the nominees who didn’t make it onto the podium, being Arlene Hunt (UNDERTOW), Brian McGilloway (GALLOWS LANE), and Tana French (THE LIKENESS). Still, it’s always nice to be nominated, folks. And, like the Olympics, it’s the taking part that counts. Or is it the taking drugs that counts? I never can remember when it comes to the Olympics …

1 comment:

Anonymous said...

What a hoot that was. Well done to Alex.
Arlene