“Burke shows again that he’s not just a comic genius, but also a fine dramatic writer and storyteller.” – Booklist. “Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville.
Wednesday, August 8, 2007
The Crime Spree Round-Up: Because You’re Worth It
Three cheers, two stools and a small but handy table - the latest Crime Spree magazine is on the shelves courtesy of the Jordan mob, which is as good a reason as any to run some hup-yas from the book review section of the previous issue, to wit: “Adrian McKinty has garnered nothing but praise for his first two books. This third in the trilogy, The Bloomsday Dead, should leave no doubt that he is a true star. Fast moving and highly engaging, this is a great book. McKinty just gets better and better, a true star of crime fiction,” says Jon in Crime Spree 18, where you’ll also find Ruth bigging-up Declan Hughes’s latest: “The decidedly Irish Hughes allows us a glimpse of country whose new-found prosperity cannot erase the sins of the often self-righteous and blind religious fanaticism that was its past … For those who read The Colour of Blood it’s an opportunity to look at where we’ve come and where we’re going, wrapped in satisfying crime fiction and a well told fable.” Which is nice … Meanwhile, Jennifer likes The Unquiet: “As with all of [John] Connolly’s books, The Unquiet is meticulous and darkly vivid. While the beautiful prose style remains, the story itself moves more quickly and the story’s hero, Charlie Parker, is more accessible to readers than ever before. Dare I say, this is the most human of Connolly’s books so far and is well worth the wait.” Shall we dip into Crime Spree 19? Oh yes, we shall … “The novel is amusing until near the end, when lengthy expositions – sort of long-winded summaries to bring things up to date – cloud the light-hearted criticisms and observations and the reading becomes bogged down,” reckons Theodore Feit of Ruth Dudley Edwards’ Murdering Americans, while Ruth is more enamoured of Ken Bruen’s Cross, to wit: “Underneath Bruen’s stylistic prowess there is also always a poet’s look at Ireland and all its fallibility … A pivotal outing in one of mystery’s finest series, Cross will make you rethink your definitions of both life and living.” Lovely, lovely, lovely …