Praise for Declan Burke: “A fine writer at the top of his game.” – Lee Child. “Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – The Spectator. “A sheer pleasure.” – Tana French. “A hardboiled delight.” – The Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews (starred review). “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “Among the most memorable books of the year, of any genre, was ABSOLUTE ZERO COOL.” – Sunday Times. “The writing is a joy.” – Ken Bruen. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville.
Wednesday, June 27, 2007
We All Have Skeletons In Our Closets, The Trick Being To Make Them Dance
To be honest, we’re not even sure that Jim Kelly is an Irish crime writer, but with a name like that he’d probably end up captaining the Irish football team under the grandparent ruling were he a ball-botherer. In saying that, the main reason he’s getting a plug is that Penguin UK sent us a couple of freebie books – without us having to ask! Oh, the glamour of it all … Anyhoo, The Skeleton Man (published in hardback on July 5) is the fifth in Kelly’s Philip Dryden series, in which Dryden, a journo, puts his investigative skills to good use whenever a murder crops up on his beat. Meanwhile, last year’s The Coldest Blood takes its paperback bow on the same day, and arrives bearing a “significant new talent” cover blurb courtesy of the Sunday Times. “This is another winner in what has become one of the best British crime series on the market. Kelly should be read as much for his Dickensian atmosphere … and his full-throttle characterizations as for his masterful plotting,” says Connie Fletcher at Booklist, via Amazon.com, where you’ll also find this – “The language Kelly uses is wonderful … The Coldest Blood reads like a very well done true crime story - the people are that real, the motives that true.” – and this – “The mystery is solidly complex ... Kelly’s writing imbues the unforgiving landscape and the cold itself with personality while Dryden’s wry outlook and innate compassion keep it all from being in the least depressing.” Which is nice …