BBF17: TROUBLE IS OUR BUSINESS - NEW STORIES BY IRISH CRIME WRITERSTo book tickets, clickety-click here ...
Saturday 10 June at 2pm
£6 | £4
at the Crescent Arts Centre
Irish crime writers have long been established on the international stage as bestsellers and award winners. Now, for the first time ever, the best in contemporary Irish crime novelists have been brought together in one volume. Author, editor and journalist Declan Burke will be leading the conversation on Irish crime writing with Louise Phillips, Julie Parsons and Stuart Neville.
Declan Burke is a writer, editor, journalist and critic. He has published six crime novels. He edited Trouble Is Our Business: New Stories by Irish Crime Writers in 2016.
Louise Phillips is an author of four bestselling psychological crime thrillers, each shortlisted for Best Irish Crime Novel of the Year. Her second novel, The Doll’s House, won the award. She is currently working on her latest novel, Dark Day In May.
Julie Parsons was born in New Zealand but has lived most of her adult life in Ireland. She was a radio and television producer with RTÉ for many years until the publication of her first novel, Mary, Mary in 1998. Her subsequent novels, including The Hourglass (2005) and I Saw You (2008) were all published internationally and translated into many languages.
Stuart Neville’s crime fiction has won numerous awards, including the LA Times Book Prize. Stuart also writes under the pen name Haylen Beck, whose debut novel, Here and Gone is due to be published this summer and is in development for the screen.
Showing posts with label Trouble is Our Business. Show all posts
Showing posts with label Trouble is Our Business. Show all posts
Wednesday
Event: TROUBLE IS OUR BUSINESS at the Belfast Book Festival
I’m hugely looking forward to getting up to Belfast for the Book Festival on June 10th, where I’ll be hosting a conversation between three of the finest Irish crime writers out there, and who – no coincidence – contributed to TROUBLE IS OUR BUSINESS (New Island Books). To wit:
Sunday
Crime Fiction Workshop: ‘Mystery and Suspense with Declan Burke’
*taps mike*
‘Hello? Is this thing on? Can anyone hear me?’
Apologies for the radio silence in recent weeks, folks, but – as mentioned below – I’m up to the proverbial oxters in a new book, which is proceeding with all the measured calm of a herd of parched pachyderms scenting a waterhole in the deepest Kalahari. Anyhoo, I break said silence in order to mention that I’ll be hosting a crime fiction workshop at the Irish Writers’ Centre on March 11th, titled ‘Mystery and Suspense with Declan Burke’, with the details as follows:
Starts: Saturday 11th, March 2017
Time: 10.30am – 4.30pm
Duration: 1 day
Cost: €80/€70 Members
All great crime fiction stems from the fact that character is mystery. From whodunits to psychological thrillers, via private eyes and police procedurals, we’ll uncover the crucial elements that make for a memorable crime/mystery novel. Embracing plot, character, style, language, setting, tone and the authorial voice, this course employs classic and contemporary crime writing to illustrate the way forward for authors seeking to hone their craft and maximise the impact of their writing.
Declan Burke is an award-winning author of six novels, and the editor / co-editor of two non-fiction titles on crime writing. He is the editor of the short story anthology Trouble is Our Business (New Island).
For all the details, clickety-click here …
‘Hello? Is this thing on? Can anyone hear me?’
Apologies for the radio silence in recent weeks, folks, but – as mentioned below – I’m up to the proverbial oxters in a new book, which is proceeding with all the measured calm of a herd of parched pachyderms scenting a waterhole in the deepest Kalahari. Anyhoo, I break said silence in order to mention that I’ll be hosting a crime fiction workshop at the Irish Writers’ Centre on March 11th, titled ‘Mystery and Suspense with Declan Burke’, with the details as follows:
Starts: Saturday 11th, March 2017
Time: 10.30am – 4.30pm
Duration: 1 day
Cost: €80/€70 Members
All great crime fiction stems from the fact that character is mystery. From whodunits to psychological thrillers, via private eyes and police procedurals, we’ll uncover the crucial elements that make for a memorable crime/mystery novel. Embracing plot, character, style, language, setting, tone and the authorial voice, this course employs classic and contemporary crime writing to illustrate the way forward for authors seeking to hone their craft and maximise the impact of their writing.
Declan Burke is an award-winning author of six novels, and the editor / co-editor of two non-fiction titles on crime writing. He is the editor of the short story anthology Trouble is Our Business (New Island).
For all the details, clickety-click here …
Monday
Launch: TROUBLE IS OUR BUSINESS at No Alibis
I’m hugely looking forward to my annual pilgrimage to No Alibis in Belfast, where we’ll be conducting the Northern Ireland launch of TROUBLE IS OUR BUSINESS (New Island) on Friday evening. If you’re in or around Belfast that evening, we’d love to see you there. The details:
Fri 25th November 6.30pm,
No Alibis, 83, Botanic Avenue, Belfast
An evening of chat about Crime Fiction on the Emerald Isle with Declan Burke, John Connolly, Louise Phillips and Others
Thrilling, disturbing, shocking and moving, Trouble Is Our Business: New Stories by Irish Crime Writers is a compulsive anthology of original stories by Ireland’s best-known crime writers.
Patrick McGinley, Ruth Dudley Edwards, Colin Bateman, Eoin McNamee, Ken Bruen, Paul Charles, Julie Parsons, John Connolly, Alan Glynn, Adrian McKinty, Arlene Hunt, Alex Barclay, Gene Kerrigan, Eoin Colfer, Declan Hughes, Cora Harrison, Brian McGilloway, Stuart Neville, Jane Casey, Niamh O’Connor, William Ryan Murphy, Louise Phillips, Sinéad Crowley, Liz Nugent.
Irish crime writers have long been established on the international stage as bestsellers and award winners. Now, for the first time ever, the best of contemporary Irish crime novelists are brought together in one volume.
Edited by Declan Burke, the anthology embraces the crime genre’s traditional themes of murder, revenge, intrigue, justice and redemption. These stories engage with the full range of crime fiction incarnations: from police procedurals to psychological thrillers, domestic noir to historical crime – but there’s also room for the supernatural, the futuristic, the macabre. As Emerald Noir blossoms into an international phenomenon, there has never been a more exciting time to be a fan of Irish crime fiction.
Reviews:
‘This collection can be confidently recommended to anyone who reads any type of crime fiction. They will find something to tease and tantalise their inner detective.’ – The Irish Times
‘Trouble Is Our Business is one of the essential literary fiction compendiums in Irish publishing this year.’ – Sunday Independent
‘A crime anthology certain to keep you on the edge of your seat’ – The Sunday Times
Fri 25th November 6.30pm,
No Alibis, 83, Botanic Avenue, Belfast
An evening of chat about Crime Fiction on the Emerald Isle with Declan Burke, John Connolly, Louise Phillips and Others
Thrilling, disturbing, shocking and moving, Trouble Is Our Business: New Stories by Irish Crime Writers is a compulsive anthology of original stories by Ireland’s best-known crime writers.
Patrick McGinley, Ruth Dudley Edwards, Colin Bateman, Eoin McNamee, Ken Bruen, Paul Charles, Julie Parsons, John Connolly, Alan Glynn, Adrian McKinty, Arlene Hunt, Alex Barclay, Gene Kerrigan, Eoin Colfer, Declan Hughes, Cora Harrison, Brian McGilloway, Stuart Neville, Jane Casey, Niamh O’Connor, William Ryan Murphy, Louise Phillips, Sinéad Crowley, Liz Nugent.
Irish crime writers have long been established on the international stage as bestsellers and award winners. Now, for the first time ever, the best of contemporary Irish crime novelists are brought together in one volume.
Edited by Declan Burke, the anthology embraces the crime genre’s traditional themes of murder, revenge, intrigue, justice and redemption. These stories engage with the full range of crime fiction incarnations: from police procedurals to psychological thrillers, domestic noir to historical crime – but there’s also room for the supernatural, the futuristic, the macabre. As Emerald Noir blossoms into an international phenomenon, there has never been a more exciting time to be a fan of Irish crime fiction.
Reviews:
‘This collection can be confidently recommended to anyone who reads any type of crime fiction. They will find something to tease and tantalise their inner detective.’ – The Irish Times
‘Trouble Is Our Business is one of the essential literary fiction compendiums in Irish publishing this year.’ – Sunday Independent
‘A crime anthology certain to keep you on the edge of your seat’ – The Sunday Times
Wednesday
Irish Crime Fiction: Whither the Traditional Whodunnit?
John Curran reviewed TROUBLE IS OUR BUSINESS (New Island) for the Irish Times last weekend, and concluded his review with a glowing recommendation: “[T]his collection can be confidently recommended to anyone who reads any type of crime fiction. They will find something to tease and tantalise their inner detective.”
However, Curran, one of the world’s foremost scholars on Agatha Christie, pointed out a notable absence in a collection that covers, “with one exception, the entire crime spectrum.” To wit:
So: whither the traditional whodunnit in Irish crime fiction?
It’s possible, of course, that some authors commissioned to contribute to the anthology who might have written a traditional mystery chose otherwise, given that the writers were offered the freedom of a blank slate, and some opted to write a different kind of story than they might usually do. It’s also true, I think, that some writers who have recently debuted – Jo Spain springs to mind, as does Andrea Carter – have written novels in the traditional whodunnit vein, and may have contributed that kind of story had they been commissioned.
Overall, though, I think John Curran makes a very good point: the traditional whodunnit mystery has been largely notable by its absence over the last three decades of Irish crime writing. Is that because, as Fintan O’Toole once suggested, our historically small population and tightly-knit communities lent themselves to an almost immediate identification of a crime’s perpetrator, and thus whydunnits rather than whodunnits? Is it because Irish writers have largely, if not exclusively, tended to look to the American rather than British model of classic crime / mystery fiction? Or is it – a flight of fancy – a post-colonial hangover, and the ingrained, subconscious fear of being denounced as a spy or collaborator for fingering a perpetrator to the perfidious authorities?
Naturally, it’s very difficult to offer any definitive answers. I’d imagine that very few writers sit down to write a book with the above questions in mind; every book is a personal response to a unique set of motives. Perhaps the traditional mystery story will belatedly come into vogue in Irish crime writing (I would argue that Cora Harrison’s novels already fall into this category), and perhaps Joanne Spain and Andrea Carter are already in the vanguard. If so, it’s a new direction to be welcomed, and one that will add another layer to the depth and breadth of Irish crime writing.
However, Curran, one of the world’s foremost scholars on Agatha Christie, pointed out a notable absence in a collection that covers, “with one exception, the entire crime spectrum.” To wit:
“This is a personal disappointment: despite the wide variety of story types here there is no traditional whodunnit. Not necessarily a Miss-Scarlett-in-the- library-with-the-spanner exercise, but is a variation thereon too much to ask?”Curran goes on to say that, “Admittedly, there is little or no tradition of this type of writing in this country.” This is true, but given the fact that Irish crime writing is still a relatively new literary phenomenon, the same could be said of virtually every other kind of story represented in the anthology.
So: whither the traditional whodunnit in Irish crime fiction?
It’s possible, of course, that some authors commissioned to contribute to the anthology who might have written a traditional mystery chose otherwise, given that the writers were offered the freedom of a blank slate, and some opted to write a different kind of story than they might usually do. It’s also true, I think, that some writers who have recently debuted – Jo Spain springs to mind, as does Andrea Carter – have written novels in the traditional whodunnit vein, and may have contributed that kind of story had they been commissioned.
Overall, though, I think John Curran makes a very good point: the traditional whodunnit mystery has been largely notable by its absence over the last three decades of Irish crime writing. Is that because, as Fintan O’Toole once suggested, our historically small population and tightly-knit communities lent themselves to an almost immediate identification of a crime’s perpetrator, and thus whydunnits rather than whodunnits? Is it because Irish writers have largely, if not exclusively, tended to look to the American rather than British model of classic crime / mystery fiction? Or is it – a flight of fancy – a post-colonial hangover, and the ingrained, subconscious fear of being denounced as a spy or collaborator for fingering a perpetrator to the perfidious authorities?
Naturally, it’s very difficult to offer any definitive answers. I’d imagine that very few writers sit down to write a book with the above questions in mind; every book is a personal response to a unique set of motives. Perhaps the traditional mystery story will belatedly come into vogue in Irish crime writing (I would argue that Cora Harrison’s novels already fall into this category), and perhaps Joanne Spain and Andrea Carter are already in the vanguard. If so, it’s a new direction to be welcomed, and one that will add another layer to the depth and breadth of Irish crime writing.
Tuesday
Event: TROUBLE IS OUR BUSINESS at the Red Line Festival
TROUBLE IS OUR BUSINESS
An Evening With Ireland’s Finest Crime Writers
Join us for an evening of discussion on Irish crime writing with some of
Ireland’s best crime writers. Author, editor and journalist Declan Burke
will be leading the conversation with Alan Glynn, Declan Hughes and
Alex Barclay to discuss the ins and outs of the crime-writing process, the development of gripping plots and characters, as well as the past and present of Irish crime writing. Perfect for crime fiction fans and aspiring authors, it’s sure to be a wonderful evening! In association with New Island Books.
Date: Wednesday 12th October
Time: 8pm
Venue: Civic Theatre, Tallaght, Dublin 24
Price: €8/€6
BOOK NOW
Saturday
Event: New Wave of Women in Irish Crime Fiction at the Los Gatos Festival
Running from October 6th to 9th, the Los Gatos Festival is a California-set festival ‘in the tradition of Ireland’s famous Writers’ Week in Listowel’. On October 8th, Louise Phillips, Niamh O’Connor and Claire McGowan will take part in a panel discussion on the New Wave of Women in Irish Crime Fiction, moderated by Margie O’Driscoll. To wit:
More and more young Irish women are joining the ranks of established crime fiction greats. What’s that all about? Award-winning Irish crime writers Louise Phillips and Niamh O’Connor [joined by Claire McGowan] will read from their contributions to the new anthology of Irish crime writing, TROUBLE IS OUR BUSINESS (New Island Press, September 2016). The stories in the collection have a distinctive Irish flavour but show Irish crime writing in the 21st century is now playing in international leagues.For all the details, clickety-click here …
Wednesday
Launch: TROUBLE IS OUR BUSINESS, ed. Declan Burke
I’m very much looking forward to the launch of TROUBLE IS OUR BUSINESS (see details above) – if you’re in Dublin on Wednesday 21st, please do drop by the Gutter Bookshop, we’d love to see you there. Here’s the all-important blurbio:
Selected and edited by award-winning crime writer Declan Burke, TROUBLE IS OUR BUSINESS showcases the absolute best in Irish crime writing today. From originators like Patrick McGinley and Ruth Dudley Edwards to global crime megastars like John Connolly and Eoin Colfer, there can be no doubt as to the serious quality of Irish crime writing in the twenty-first century. An absolute must-have for crime lovers! Featuring stories by: Patrick McGinley, Ruth Dudley Edwards, Colin Bateman, Eoin McNamee, Ken Bruen, Paul Charles, Julie Parsons, John Connolly, Alan Glynn, Adrian McKinty, Arlene Hunt, Alex Barclay, Gene Kerrigan, Eoin Colfer, Declan Hughes, Cora Harrison, Brian McGilloway, Stuart Neville, Jane Casey, Niamh O Connor, William Ryan, Louise Phillips, Sinead Crowley, and Liz Nugent.
Friday
Books: TROUBLE IS OUR BUSINESS, ed. Declan Burke
I’m very pleased to announce that TROUBLE IS OUR BUSINESS will be published by New Island Books on September 30th, with yours truly wearing his editor’s hat. It’s a collection of brand new short stories from Irish crime writers, and the blurb runs a lot like this:
Selected and edited by award-winning crime writer Declan Burke, TROUBLE IS OUR BUSINESS showcases the absolute best in Irish crime writing today. From originators like Patrick McGinley and Ruth Dudley Edwards to global crime megastars like John Connolly and Eoin Colfer, there can be no doubt as to the serious quality of Irish crime writing in the twenty-first century. An absolute must-have for crime lovers! Featuring stories by: Patrick McGinley, Ruth Dudley Edwards, Colin Bateman, Eoin McNamee, Ken Bruen, Paul Charles, Julie Parsons, John Connolly, Alan Glynn, Adrian McKinty, Arlene Hunt, Alex Barclay, Gene Kerrigan, Eoin Colfer, Declan Hughes, Cora Harrison, Brian McGilloway, Stuart Neville, Jane Casey, Niamh O Connor, William Ryan, Louise Phillips, Sinead Crowley, and Liz Nugent.TROUBLE IS OUR BUSINESS will be published on September 30th.
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