Showing posts with label Nadine Gordimer. Show all posts
Showing posts with label Nadine Gordimer. Show all posts

Monday

On Bludgeoning Puppies: Yep, It’s The John Banville Interview

Our good friend Peter Murphy posts a quite superb interview with John Banville (right) on his Blog of Revelations (as far as I know, it’s also carried in the current issue of Hot Press magazine), which intros thusly:
Banville the Booker Winner. Banville the Book Reviewer. Banville the master craftsman who fashions beautifully written novels like MEFISTO, THE BOOK OF EVIDENCE and THE SEA, mapping the inner psyches of his protagonists with forensic precision while co-opting neo-classical themes and allusions.
  Banville the cold Nabokovian prose sculptor who couldn’t make us care about his characters if he bludgeoned their puppies to death before our eyes. Banville the pariah of the chattering literati who accuse him of aloofness and arrogance. Banville the highbrow stylist slumming it in the noir genre under the non de plume Benjamin Black to the derision of an Irish crime-writing contingent who maintain he couldn’t plot his way out of a paper bag.
  Banville the hatchet-jobber who’s driven his pen into the hearts of everyone from Nadine Gordimer to Ian McEwan (whose SATURDAY he termed a “dismayingly bad book”). Banville the ungracious victor, who, after scooping the Man Booker with THE SEA in 2005, sniffed something about being glad that the prize went to a work of art for a change …
  Trust me, it’s a terrific piece, and well worth your time, and especially if you think Banville = Blandville …

Tuesday

“Ya Wanna Do It Here Or Down The Station, Punk?”: Julie Parsons

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
There are actually three – A FATAL INVERSION by Ruth Rendell / Barbara Vine – amazing plot and wonderful atmosphere; THE SHINING by Stephen King, not so much a plot more a way of death; and THE BUTCHER BOY by Patrick McCabe, which doesn’t usually figure in crime fiction lists, but does it for me in horror, sadness and a meditation on loss and pain.
What fictional character would you most like to have been?
When I was a kid I was crazy about the books by the American writer, Mary O’Hara. So I would have loved to have been Ken McLaughlin, who grew up on a horse ranch in the Rocky Mountains, in Wyoming.
Who do you read for guilty pleasures?
I don’t believe in guilty pleasures. For pleasure I read anything by Martin Amis, Nadine Gordimer, Philip Roth and J.M Coetzee.
Most satisfying writing moment?
Writing the synopsis for my first book, MARY, MARY, and knowing, even before I sent it to Treasa Coady of TownHouse, that I had a winner.
The best Irish crime novel is …?
You know, I don’t read crime novels since I started writing them … terrified I’d be so put off by their brilliance and never write another word. Best Irish novel? THE BUTCHER BOY [by Patrick McCabe] for the above reasons.
What Irish crime novel would make a great movie?
For the above reason, I can’t really say, but three of my books – MARY, MARY, THE COURTSHIP GIFT and EAGER TO PLEASE – have all been optioned for film and TV and I think they’d all be great - with the right writer, director, cast of course.
Worst / best thing about being a writer?
The best is being on your own in complete control of your own world, and the worst is pretty much the same.
The pitch for your next book is …?
The next book is a high-concept, international DAY OF THE JACKAL-type thriller – the inhabitants of an island off the southwest coast of Ireland discover when the last ferry of the day has left, that they are NOT on their own.
Who are you reading right now?
I’m reading HUMAN SMOKE by Nicholson Baker, which tells in extracts from newspapers, letters and biographies of the build-up in the late 1930s and early 1940s to the Final Solution. Stunning and terrifying.
God appears and says you can only write OR read. Which would it be?
I don’t believe in God, but if I did the God I would believe in would never make such a demand. Because that God would know that to be a writer, you have to be a reader …
The three best words to describe your own writing are …?
Powerful, vivid, unforgettable.

Julie Parsons’ I SAW YOU has just been published in paperback by Pan Books