Showing posts with label Margie Orford. Show all posts
Showing posts with label Margie Orford. Show all posts

Thursday

Review: UNRAVELLING OLIVER by Liz Nugent

The latest crime fiction column in the Irish Times was published last weekend, featuring offerings from George Pelecanos, Laura Wilson, DA Mishani and Margie Orford. It also included UNRAVELLING OLIVER, the debut novel from Irish author Liz Nugent. To wit:
Liz Nugent’s Unravelling Oliver (Penguin Ireland, €14.99) opens with Dublin-based writer Oliver Ryan viciously beating his wife Alice. The assault is described in the first person by Oliver himself, but Oliver’s is only one of a number of first-person accounts on offer here, each one a piece of the jigsaw that gradually assembles itself into portrait of a pathetic young boy who grew up to become a monster who writes best-selling children’s books. The reader is given no framing device relating to who might have collated the various accounts, or why, but the narrative gambit pays off handsomely. Oliver Ryan may be a vain, shallow and ultimately violent sociopath, but his story grows more compelling and nuanced the more we learn about him and the factors that influenced the man he would become, some of which were set in train even before he was born. More an investigation into psychology than a conventional crime thriller, Unravelling Oliver is a formidable debut. ~ Declan Burke
  For the rest, clickety-click here

Saturday

BOOKS TO DIE FOR: And So It Begins

“Why does the mystery novel enjoy such enduring appeal? There is no simple answer. It has a distinctive capacity for subtle social commentary; a concern with the distinction between law and justice; and a passion for order, however compromised. Even in the vision of the darkest of mystery writers, it provides us with a glimpse of the world as it might be, a world in which good men and women do not stand idly by and allow the worst aspects of human nature to triumph without opposition. It can touch upon all these aspects of itself while still entertaining the reader – and its provision of entertainment is not the least of its good qualities.
  But the mystery novel has always prized character over plot, which may come as some surprise to its detractors. True, this is not a universal tenet: there are degrees to which mysteries occupy themselves with the identity of the criminal as opposed to, say, the complexities of human motivation. Some, such as the classic puzzle mystery, tend towards the former; others are more concerned with the latter. But the mystery form understands that plot comes out of character, and not just that: it believes that the great mystery is character.”
  So begins the Introduction to BOOKS TO DIE FOR. Co-edited by John Connolly and Declan Burke, the book asks 120 of the world’s best contemporary crime and mystery writers which book they believe should be included in the great canon of crime and mystery fiction.
  The response was astonishing, and the list of contributors reads like a veritable Who’s Who of modern crime and mystery authors - Michael Connelly, Sara Paretsky, Elmore Leonard, Ian Rankin, Val McDermid, James Sallis, Mark Billingham, Kathy Reichs, Karin Slaughter, Jo Nesbo, Peter James, George Pelecanos, Dennis Lehane, Sophie Hannah, Joseph Wambaugh, Tana French, David Peace, Laura Lippman, Deon Meyer, Colin Bateman, Megan Abbott, Linwood Barclay, Laura Wilson and John Banville are only some of the names involved.
  The book is published by Hodder & Stoughton in the UK on August 30th, and by Atria / Emily Bestler Books in the US on October 2nd. If you’re on Facebook, you can clickety-click here for daily updates on content, contributors, and plenty of extras.
  Some of the key launch dates on this side of the pond have already been lined up, and I’ll be updating this post on a regular basis to keep you informed as to further developments. In the meantime, if you’re anywhere near any of the venues below, we’d love to see you there …

Monday, August 6 at 6:00 p.m.
South Africa Launch of BOOKS TO DIE FOR with John Connolly, Deon Meyer, Mike Nicol and Margie Orford
The Book Lounge
71 Roeland St.
Cape Town, South Africa
RSVP: 021 462 2424 or booklounge@gmail.com

Thursday, August 30 at 6:30 p.m.
Belfast launch of BOOKS TO DIE FOR (and THE WRATH OF ANGELS by John Connolly and SLAUGHTER’S HOUND by Declan Burke)
The Ulster Museum
Botanic Gardens, Belfast
Tickets Available from No Alibis Bookstore – free event!
44 (0) 28 9031 9601
Email: david@noalibis.com

Thursday, September 6 at 6:30 p.m.
Dublin launch of BOOKS TO DIE FOR
Dubray Books Grafton Street
36 Grafton Street
Dublin 2
(01) 677 5568
dublinbookshop@dubraybooks.ie

Friday

“Ya Wanna Do It Here Or Down The Station, Punk?”: Margie Orford

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
WOLVES EAT DOGS by Martin Cruz Smith.

What fictional character would you most like to have been?
Arkady Renko (goes with the above). But some days I feel more like Cruella deVille. I never want to be Bambi’s mother.

Who do you read for guilty pleasures?
The Guardian.

Most satisfying writing moment?
My first royalty check.

The best South African crime novel is …?
THIRTEEN HOURS by Deon Meyer.

What South African crime novel would make a great movie?
THIRTEEN HOURS will be a great movie – it is in production right now. And I think BLOOD ROSE, my second novel, which is busy being cast right now, won’t be too shabby either. As one of the producers told me, with true producer tact: ‘We like your South African stuff – it’s like Wallander with good weather.’ Who could argue with that?

Worst / best thing about being a writer?
Few people think you actually do any work (the worst thing). Being able to nap at your desk (which is probably why people think you don’t work).

The pitch for your next book is …?
Isolde Wagner, a gifted but vulnerable young woman drops out of her life, leaving behind friends, family and career as a classical musician to join a reclusive sect. After she cuts all ties, her anxious mother asks Clare Hart to find her, to persuade her to make contact. But Clare is not sure if Isolde is alive or dead and whoever has had a hand in her vanishing does not want the truth revealed.

Who are you reading right now?
ALL ABOUT LOVE: ANATOMY OF AN UNRULY EMOTION by Lisa Appignanesi (there are very few crimes that don’t have their origin in love).

God appears and says you can only write OR read. Which would it be?
I’ve taken God on before and I came out alright, so I think I would challenge him to an arm-wrestle. I win – I get to write AND read. He wins – well, I get to rewrite his book. There are a couple of bits I think could do with some tweaking.

The three best words to describe your own writing are …?
One reviewer said my writing induced ‘ball-crushing fear’ - I’m happy with that.

Margie Orford’s DADDY’S GIRL is published by Atlantic Books.

Sunday

A Warm, Warm Reception

The latest crime fiction column appeared in the Irish Times yesterday, featuring reviews of the latest titles from Elmore Leonard, Margie Orford, Ann Cleeves, Parker Bilal, Patricia Cornwell and Adrian McKinty. This being, ostensibly, an outlet for Irish crime writing, and THE COLD COLD GROUND being a terrific novel which has had a very warm reception to date, I’ll focus on the McKinty. To wit:
The Carrickfergus writer Adrian McKinty plunges into the dark heart of Northern Ireland’s Troubles in THE COLD COLD GROUND (£12.99, Serpent’s Tail), as Det Sgt Sean Duffy finds himself investigating a series of linked murders against the backdrop of the hunger strikes in the spring of 1981. The setting represents an extraordinarily tense scenario in itself, but the fact that Duffy is a Catholic in a predominantly Protestant RUC adds yet another fascinating twist to McKinty’s neatly crafted plot. Written in a terse style, the novel is a literary thriller that is as concerned with exploring the poisonously claustrophobic demi-monde of Northern Ireland during the Troubles, and the self-sabotaging contradictions of its place and time, as it is with providing the genre’s conventional thrills and spills. The result is a masterpiece of Troubles crime fiction: had David Peace, Eoin McNamee and Brian Moore sat down to brew up the great Troubles novel, they would have been very pleased indeed to have written THE COLD COLD GROUND. - Declan Burke
  For the rest, clickety-click here
  For those of you who have read THE COLD COLD GROUND, and fancy a dip into the work-in-progress of its sequel, clickety-click here