“Ya Wanna Do It Here Or Down The Station, Punk?” Peter James

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
Brighton Rock by Graham Greene. Set in my home town of Brighton, it is the book that made me want to become a crime novelist.

What fictional character would you most like to have been?
Gary Soneji, from the early James Patterson novels. He’s the shrewdest, smartest villain ever created and it would be fun to be evil in a fictional world.

Who do you read for guilty pleasures?
I don’t know if you’d call it a guilty pleasure or rubbernecking! But I love dipping into Vernon Geberth’s massive tome, Practical Homicide, packed with no holds barred crime scene photographs.

Most satisfying writing moment?
When I figure out how everything is going to fit together.

If you could recommend one Irish crime novel, what would it be?
Brian Moore’s Lies Of Silence. It has one of the most brilliant human dilemmas I’ve ever read in a novel.

What Irish crime novel would make a great movie?
Brian McGilloway’s Hurt.

Worst / best thing about being a writer?
Worst thing: being stuck in a room, forcing yourself to write. Best thing: shutting out the outside world and writing in peace.

The pitch for your next book is …?
A girl disappears from an underground car park in Brighton. On the same night, the 30-year-old remains of a young woman are unearthed by builders. Has Brighton got its first serial killer in 80 years? Has Roy Grace finally met his match?

Who are you reading right now?
I’m reading Patricia Highsmith and finding her fantastic! I have seen Strangers on a Train and The Talented Mr Ripley, but never read her novels. She is such a brilliant writer.

God appears and says you can only write OR read. Which would it be?
Write. I’ve been a compulsive writer since I could first hold a pen. But I think that would make him a very cruel God indeed to force that choice on someone!

The three best words to describe your own writing are …?
Character. Research. Plot.

Peter James’ YOU ARE DEAD is published by Macmillan.

Interview: Adrian McKinty

Jason Steger interviewed Adrian McKinty for the Sydney Morning Herald last week, most of the conversation centring on the Sean Duffy series of novels, of which GUN STREET GIRL (Serpent’s Tail) is the latest. Sample quote:

It was after Dead I May Well Be, his New York novel, came out in 2004 that McKinty first considered writing about Northern Ireland. He had originally pitched a cop show set in ‘70s Belfast along the lines of The Sweeney.
  “Seventies nostalgia with the added frisson of the Troubles in the background. They couldn’t have been more horrified. This guy said ‘we won’t be able to sell it in Northern Ireland, nobody wants to watch anything to do with the Troubles; we can never sell it across the water in England – they just want to forget it ever happened. And as for selling it to the US, that’s a joke; they have a very nostalgic view of what Ireland is’.”
  Although there had been novels about Belfast and the Troubles – Brian Moore’s Lies of Silence and Glenn Patterson’s The International, for example – everyone he asked told him the same thing: don’t touch the Troubles. And he took the message on board for years. But a few years back he had his epiphany – the thing that no one wants you to write about is exactly what he should be writing.

  For the rest, clickety-click here …

Less Is Moore

With all the hoo-hah over the Irish Book Awards, it very nearly snuck under my radar that Bloomsbury is in the process of reissuing a series of Brian Moore’s novels, including NO OTHER LIFE, THE MAGICIAN’S WIFE and I AM MARY DUNNE. Of chief interest to crime fans will be THE STATEMENT, which was originally published in 1995, and about which the blurb elves have been wittering thusly:

Condemned to death in absentia for crimes against humanity, Pierre Brossard has lived in the shadows for more than forty years. Now, at last, his past is threatening to catch up with him. A new breed of government officials is determined to break decades of silence and expose the crimes of Vichy. Under the harsh glare of the Provencal sun, Brossard is forced to abandon the monastery where he has been hiding and turn to old friends for support - but can he really outrun his past?

  Brian Moore, who was born in Northern Ireland and emigrated to Canada in 1948, cut his teeth as an author writing crime novels, under the pseudonyms Bernard Mara and Michael Bryan. Frequently and favourably compared to Graham Greene, Moore was, like Greene, disposed towards writing both literary titles and more thriller-style tales. His best books, in my opinion, combined his gift for language and a serious moral investigation with a stripped-back, less-is-more narrative - the ideal crime thriller, in other words, as in the case of Moore’s political thrillers, LIES OF SILENCE and THE COLOUR OF BLOOD.
  I picked up a copy of THE STATEMENT in a second-hand bookshop in Dun Laoghaire yesterday, and I’m looking forward to getting stuck in, just as soon as I get all the work-related reading on the shelf out of the way. Which means, I suppose, that THE STATEMENT will be this Christmas’s reading treat, although I’d already lined up some Charles McCarry, Megan Abbott, Daniel Woodrell and James Sallis for that particular indulgence …

The Fertile, Fertile Ground

I interviewed Stuart Neville a couple of weeks ago, to mark the publication of STOLEN SOULS, and during the course of the conversation we discussed the fact that his new novel is a less political beast than his previous offerings, THE TWELVE and COLLUSION. Stuart had this to say:

“I know other writers are working in different directions on this,” he says. “I’ve just finished reading Adrian McKinty’s new book, THE COLD COLD GROUND, in which he dives headlong into the thick of the Troubles and the hunger strikes, which is admirable, I think. I do think the Troubles will be quite fertile ground for writers the further we move away from them, and the freer we are to write about them with a more dispassionate gaze.”

  We’ve already had some very fine novels set during the Troubles, of course, including Eoin McNamee’s RESURRECTION MEN and THE ULTRAS, and David Parks’ THE TRUTH COMMISSIONER, and Colin Bateman’s DIVORCING JACK. Adrian McKinty’s latest offering, THE COLD COLD GROUND works the same kind of ground covered by McNamee, setting his fictional tale against a historical backdrop, in this case the hunger strikes of 1981. My take runs thusly:

“The hunger strikes mark the bleakest period of Northern Ireland’s ‘Troubles’, and it’s entirely fitting that Adrian McKinty should be the writer to plunge into that darkest of hearts. It’s a rare author who can write so beautifully about such a poisonous atmosphere, but McKinty’s prose is a master-class in vicious poise as he explores the apparent contradictions that underpin Ulster’s self-loathing. Be in no doubt that this novel is a masterpiece: had David Peace, Eoin McNamee and Brian Moore sat down to brew up the great ‘Troubles’ novel, they would have been very pleased indeed to have written THE COLD COLD GROUND.”

  For more in a similar vein, from far better scribes and I, clickety-click on Adrian’s blog.
  Meanwhile, the novel is published on January 5th by Serpent’s Tail. If your New Year’s resolution is to only read great books next year, THE COLD COLD GROUND is the perfect place to start …

The Gospel According To Genre

There was a good piece in Publishers Weekly titled ‘Breaking the Wall’, in which a variety of crime writers discuss what Michael Connelly describes as the ‘membrane’ (as opposed to ‘wall’) between genre and literary fiction. For my money, Tana French (right) nails it to the wall:

“When you’re working to make a sentence as perfect as it can be,” says French, “or to make a character real and vivid and three-dimensional, how and whether you do that isn’t dependent on where the book will be shelved.”

  Well said, that woman. Mind you, Tana is one of those writers for whom style appears to be every bit as important as plot or character. Could it be a coincidence that IN THE WOODS and THE LIKENESS are award-winning best-sellers? Erm, probably not …
  It’s also true that Ireland has its fair share of ‘literary crime fiction’: John Banville’s THE BOOK OF EVIDENCE and THE UNTOUCHABLE, Flann O’Brien’s THE THIRD POLICEMAN, Pat McCabe’s THE BUTCHER BOY, Eoin McNamee’s RESURRECTION MAN (and others), Brian Moore’s THE COLOUR OF BLOOD (and others), Liam O’Flaherty’s THE INFORMER and THE ASSASSIN, David Park’s THE TRUTH COMMISSIONER, Kevin Power’s BAD DAY IN BLACKROCK, Gerard Donovan’s JULIUS WINSOME, Edna O’Brien’s IN THE FOREST (and others) … It’s a long and noble tradition.
  Okay, your turn. Your favourite ‘literary crime fiction’ is ...

“Ya Wanna Do It Here Or Down The Station, Punk?”: Peter James

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
BRIGHTON ROCK [by Graham Greene] it is my all time favourite novel and has, I think, one of the psychologically darkest and most satisfying endings ever written.

What fictional character would you most like to have been?
Sherlock Holmes. He had such style, such amazing powers of observation, yet, like me, was flawed.

Who do you read for guilty pleasures?
Jeremy Clarkson - a fellow petrol head!

Most satisfying writing moment?
After winning Le Prix Polar Noir in France, giving my acceptance speech in French and managing to get a laugh out of the audience!

The best Irish crime novel is …?
LIES OF SILENCE by Brian Moore. But I think young Brian McGilloway is going to be a big new star. I loved his GALLOWS LANE.

What Irish crime novel would make a great movie?
LIES OF SILENCE - I don’t understand why it has never been filmed, it is an extraordinary book.

Worst / best thing about being a writer?
The worst is that I live in fear that my next book will be a disaster! The best is the freedom to write what I want and where I want.

The pitch for your next book is …?
A serial rapist who takes his victims’ shoes is on the prowl in Brighton. Is it the same man who last offended twelve years ago, or a copycat?

Who are you reading right now?
Several reference books: One on shoe fetishists, two on the psychology of stranger rapists, and a book of true life accounts of rape victims and how their lives have subsequently been affected.

God appears and says you can only write OR read. Which would it be?
If God appeared I would realize I had an awful lot of reading to do. Starting with the Bible, all the way through …

The three best words to describe your own writing are …?
Fascinated by crime.

Peter James’ DEAD TOMORROW is published by Macmillan.

“Ya Wanna Do It Here Or Down The Station, Punk?”: Deborah Lawrenson

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects …

What crime novel would you most like to have written?
A FATAL INVERSION by Barbara Vine (aka Ruth Rendell).

What fictional character would you most like to have been?
Charlotte Gray, eponymous heroine of Sebastian Faulks’ wartime novel, for sheer bravery and guts, with a yearly sabbatical as Daisy in THE GREAT GATSBY: how utterly relaxing to be that shallow and careless of others while remaining adored …

Who do you read for guilty pleasures?
Not who but what: arty picture books of houses in the South of France.

Most satisfying writing moment?
Selling the rights to my fourth novel THE ART OF FALLING to Random House after having published it myself ten months earlier.

The best Irish crime novel is …?
THE STATEMENT by Brian Moore. Hope that counts. I love the way he writes sparingly yet lyrically, as tension builds.

What Irish crime novel would make a great movie?
Well, genuinely, I’d like to see THE BIG O make it. With Billy Bob Thornton as Frank.

Worst / best thing about being a writer?
Worst: sitting at my desk and realising I’d be better off on a ten-mile run before sad case of Writer’s Bottom becomes irreversible. Best: sitting at my desk for hours playing around with words.

The pitch for your next book is …?
A cycle of interlinked stories set in Provence, exploring themes of age and experience, youth and innocence, reality and imagination - and a cold murder investigation.

Who are you reading right now?
THE LEVANT TRILOGY by Olivia Manning, alongside the biography of Olivia Manning by Neville and June Braybrooke.

God appears and says you can only write OR read. Which would it be?
Reading – without hesitation.

The three best words to describe your own writing are …?
Evocative, sensuous and derriere-enlarging.

Deborah Lawrenson’s SONGS OF BLUE AND GOLD is published by Arrow Books.

“Ya Wanna Do It Here Or Down The Station, Punk?”: Scott Phillips

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
THE WOMAN CHASER, by Charles Willeford.

What fictional character would you most like to have been?
Sheriff Lou Ford.

Who do you read for guilty pleasures?
No such thing, reading is a virtue, even reading crap.

Most satisfying writing moment?
Tapping out ‘The end’.

The best Irish crime novel is …?
Here I’m going out on a limb … THE MANGAN INHERITANCE by Brian Moore, an ex-pat Irishman turned Canadian who finished his days in Santa Barbara. It’s not even a genre book, and it sold damned few copies. Nonetheless it’s a fine novel, violent and creepy, and I once met him and told him I liked it and he told me I was pretty much alone in that.

What Irish crime novel would make a great movie?
Any of Ken’s …. I suppose CALIBRE would be next in line.

Worst / best thing about being a writer?
The hours. Best and worst both.

The pitch for your next book is …?
A guy walks into a bar.

Who are you reading right now?
Rudy Wurlitzer, Laura Lippman and Rick DeMarinis (if you have not read DeMarinis, what the fuck are you waiting for?).

God appears and says you can only write OR read. Which would it be?
Read. Are you kidding me?

The three best words to describe your own writing are …?
Ha ha ha.

Scott Phillips’ COTTONWOOD is published by Ballantine.

The Jury Remains Out: CAL by Bernard MacLaverty

Acclaimed as literary novels, they are steeped in crime – but is it kosher to call them Irish crime fiction novels? YOU decide! Or, y’know, don’t! This week: CAL by Bernard MacLaverty

“Cal’s mother died when he was a child and he and his father, who works in the local abattoir, are under threat to get out from Loyalists who are itching to coin the phrase ethnic cleansing a decade or so early … What lifts CAL above its almost satirically grim subject matter is MacLaverty’s deliciously precise detailing and his dedication to his main character … not the least pleasure of reading it is to rediscover in Bernard MacLaverty another Northern Irish writer who can stand toe to toe with the rest of them, and with the great Brian Moore in particular.” John Self, Asylum

Comedy and humour are not among the stylistic features one would readily associate with Bernard MacLaverty’s works. CAL, for instance, his most famous book (which was also successfully filmed), is a haunting study of a nineteen-year-old Catholic in the midst of the Northern Irish Troubles and his desperate attempt to break away from this violent background—an attempt doomed to failure. On the surface, his writing seems a brilliant example of Seamus Deane’s hyperbolical dictum: “If there is anything more depressing than Ulster fact it must be Ulster fiction.” – International Fiction Review

The Jury Remains Out: THE COLOUR OF BLOOD by Brian Moore

Acclaimed as literary novels, they are steeped in crime – but is it kosher to call them Irish crime fiction novels? YOU decide! Or … don’t! This week: THE COLOUR OF BLOOD by Brian Moore.

Somewhere in an unnamed Eastern bloc country, someone is out to silence Cardinal Bem. Is it the Secret Police, or is it - more shockingly - fanatical Catholic activists who believe that Bem, by keeping the peace between Church and State, has finally compromised himself too far? Narrowly escaping an assassination attempt, Bem is abducted by sinister, anonymous men, and spirited away to a safe-house against his will. Evading his unknown captors, he is faced with a horrifying proposition: no longer sure of whom he can trust, Bem realises that he alone can avert the revolution which threatens to tear his country apart ...

“In the novel THE COLOUR OF BLOOD (1987), Moore continues to exploit the religious theme. Like LIES OF SILENCE, this novel is a political thriller, but on this occasion it is set in Eastern Europe. Like the main protagonists in other novels by Moore, Cardinal Bem’s faith is on trial. Bem himself is portrayed as an honest, reasonable, retiring character. He is not an extremist, unlike those who are pursuing him. From the beginning to the end of the novel, Bem is under threat from assassins but his personal inner strength enables him to continue with his duties as a religious leader. This is an action packed thriller with a distinctly sombre, unexpected ending.” – ‘Brian Moore: Novelist in search of an Irish identity’ / Encyclopedia.com

“Mr. Moore’s novel is a study of this faith under pressure. Almost in thriller form, it is also a wise and illuminating meditation on the labyrinthine forces at work in a Roman Catholic Communist country like Poland (where Mr. Moore served with a United Nations relief group after the war) … Mr. Moore dramatizes issues like compromise and survival with a sure, skilful hand. As usual his writing is lean and to the point … Clearly, Brian Moore wants to keep our attention focused on the central political-religious problem: When does compromise become moral suicide? In this he has succeeded.” - New York Times

The Best Things In Life Are Free … Books

Following on from the super soaraway success that was our competition for Declan Hughes’ latest, THE DYING BREED, a couple of weeks ago, the ever-lovely people at Hodder Headline Ireland have been in touch to suggest another – oh yes! – Declan Hughes competition. This time it’s to coincide with the paperback release of THE COLOUR OF BLOOD, and we have three copies to give away. First, the blurb elves:

Emily Howard is nineteen years old, slim and petite with a pale complexion and a red rose tattoo. She is also missing. She disappeared three days ago, and now her father has been sent photographs of her naked body. He is desperate to find her. So he calls Ed Loy, a private investigator who knows the dark streets of Dublin better than most; a man who will find Emily Howard within twenty-four hours. But locating Emily turns out to be only the beginning. Within hours, Emily's ex-boyfriend is found murdered, and Loy finds himself in a race against time to catch a killer – and to unearth the many dark secrets the Howard family have kept long buried.

To be in with a chance of winning a copy, just answer the all-important question:

Declan Hughes’ novels feature the private eye Ed Loy, but is the Ed short for:
(a) Edward;
(b) Mr Ed;
(c) Champion the Wonder Horse?

Answers to dbrodb(at)gmail.com, putting ‘Oi, didn’t yon Brian Moore have book called that?’ in the subject line, and including your address in the body text, before noon on Tuesday, April 1st. Et bon chance, mes amis …