Forensic psychologist, Declan Wells, is dealing with the aftermath of a car bomb during the Troubles in Belfast, which has left him in a wheelchair. But that is only the start of his problems.Dominique Jeannerod interviews Sharon over at the International Crime Fiction Research Group. For more, clickety-click here …
Welsh detective Anna Cole is running away from a dead-end relationship and the guilt of her mother’s death. She hopes secondment to the Police Service of Northern Ireland will provide a distraction.
There is a killer on the streets targeting young women and leaving behind macabre mementoes to taunt the police.
Can Declan and Anna work together to catch the deranged killer before he strikes again?
And is it ever possible to leave the past behind you?
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian