A young man is found in a riverside park, his head bashed in with a rock. The only clue to his identity is an admission stamp for the local gay club.For the Financial Times’ review of BAD BLOOD, clickety-click here …
DS Lucy Black is called in to investigate. As Lucy delves into the community, tensions begin to rise as the man’s death draws the attention of the local Gay Rights group to a hate-speech Pastor who, days earlier, had advocated the stoning of gay people and who refuses to retract his statement.
Things become further complicated with the emergence of a far right group targeting immigrants in a local working class estate. As their attacks escalate, Lucy and her boss, Tom Fleming, must also deal with the building power struggle between an old paramilitary commander and his deputy that threatens to further enflame an already volatile situation.
Hatred and complicity abound in the days leading up to the Brexit vote in McGilloway’s new Lucy Black thriller. Compelling and current, Bad Blood is an expertly crafted and acutely observed page-turner, delivering the punch that readers of LITTLE GIRL LOST have grown to expect.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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