“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Wednesday, October 19, 2016

TROUBLE IS OUR BUSINESS: News and Reviews

It’s been a busy couple of weeks since TROUBLE IS OUR BUSINESS (New Island) was launched, and the reaction – happily – has been pretty favourable to date.
  First off, hearty congratulations to Jane Casey, whose story ‘Green, Amber, Red’ has been longlisted for the Short Story of the Year at the Irish Book Awards. Sponsored by Writing.ie, the shortlist will be announced on October 25th, and if Jane’s chilling story isn’t on it then there’s something very rotten in the state of Denmark.
  Staying with Writing.ie, Hubert O’Hearn writes a very nice appreciation of the anthology, with the gist running thusly:
“Trouble is our Business is a uniformly excellent selection of twenty-four crime stories written by two dozen Irish writers. Not all of them are murder mysteries per se, although some are; not all are identifiably Irish in speech or setting, although again some are. Each one though polishes a different facet of the whole crime writing genre and just as with the wine sampler mentioned above, by the time you are finished reading this anthology you will certainly have discovered at the very least several writers you’ll list for future enjoyment.”
  Over at the Sunday Independent, Hilary White is also very positive about the book, describing it as “One of the essential literary fiction compendiums in Irish publishing this year.” I haven’t found a link to the review to date, but I’ll hoist it here when I do.
  Meanwhile, to coincide with the publication of TROUBLE IS OUR BUSINESS, there’s been a few pieces published about Irish crime fiction in general. RTE’s new Culture website hosts an imaginatively titled piece called ‘Crime Spraoi’, the Irish Times hosts another on why ‘Irish crime writers are a law unto themselves’, and The Journal.ie interviews John Connolly, Louise Phillips and yours truly on why Irish crime writing is having ‘a killer moment right now’.
  Finally, if you’re in the mood to sample a couple of the stories from TROUBLE IS OUR BUSINESS, the Irish Times carries Gene Kerrigan’s ‘Cold Cards’, while the RTE Culture website carries Sinead Crowley’s ‘Maximum Protection’. We do hope you enjoy …

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