“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
Friday, September 19, 2008
“Ya Wanna Do It Here Or Down The Station, Punk?”: Paul Johnston
What crime novel would you most like to have written?
Difficult. Toss-up between Ellroy’s WHITE JAZZ and Philip Kerr’s A PHILOSOPHICAL INVESTIGATION (I only wish I had the nerve to have a serial killer called Wittgenstein).
What fictional character would you most like to have been?
Sherlock H. Rude, brilliant, stoned and nifty with his fists.
Who do you read for guilty pleasures?
P D James. Don’t agree with her politics and can’t stand the lengthy descriptions, but she gets to the meat of things for all her Golden Age credentials.
Most satisfying writing moment?
If you mean literally writing, it would be nailing the death-bed vision of old Maro in A DEEPER SHADE OF BLUE (soon to be republished as CRYING BLUE MURDER) - after about fifty attempts. If you mean more generally, I’d have to say winning the Sherlock Award (see above) for THE LAST RED DEATH - a novel I literally nearly died writing (thanks to cancer).
The best Irish crime novel is …?
Do you mean written by an Irish person or set in Ireland? If the former, John Connolly’s THE KILLING KIND. The latter, Declan Hughes’s THE WRONG KIND OF BLOOD. (They’re two of a ‘kind’...)
What Irish crime novel would make a great movie?
See above.
Worst / best thing about being a writer?
Worst - the first sentence every day. Best - the unexpected appearance of a deeply sneaky plot twist or such like from the subconscious.
The pitch for your next book is …?
Nazis, Satanists and the FBI - who are the scariest of them all?
Who are you reading right now?
Declan Burke (no, really...)
God appears and says you can only write OR read. Which would it be?
If he was paying me for it, read - much easier.
The three best words to describe your own writing are …?
Ideas above (his) station (quote J Connolly).
Paul Johnston’s THE SOUL COLLECTOR has just been published by Mira Books.
1 comment:
The pitch for his next book sounds damn good.
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