A quick post today, in response to yesterday’s comments on the idea of a coordinated ‘branding’ of Irish crime fiction (see post below), in which Irish writers band together to promote Irish crime writing according to a ‘rising tide lifts all boats’ philosophy. Great to see such positive feedback, by the way.
I’ll try to answer some of the questions posed insofar as I have any answers, which I mostly don’t.
Re: Bill Ryan’s suggestion about a ‘modest subscription’. That may be workable, certainly, but I for one would feel very uncomfortable to be in receipt of other people’s money, particularly when I know only too well the extent to which, for many, and yours truly included, the writing game is already an expensive hobby.
I’ll post again tomorrow on this topic, when I have a bit of time to flesh out some ideas, but for now let me say that it would be possible to put into place a low-level / beta version of what I’m thinking about that wouldn’t require funding, apart from a commitment of a little time from each writer, if the interest is there. And going by the reaction to yesterday’s post, the interest is certainly there.
Rob asks if I have comparative websites in mind. The answer is not really, but a collaborative blog such as Do Some Damage might make a good starting point.
In terms of the possibility of official funding, I really have no idea as to whether such would be possible, and particularly in such straitened times. That said, and given the extent to which Irish crime writing is an all-island affair, it may be possible to speak with Arts Councils on either side of the border, and also to tap into funding for cross-border cultural initiatives. I have my doubts, but we’ll see.
If anyone wants to contribute thoughts or suggestions, the comments box is open …
“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.