Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...
What crime novel would you most like to have written?
Hmm ... I can think of three and can’t pick between them. THE LONG GOODBYE, THE GREAT GATSBY, THE SUN ALSO RISES.
What fictional character would you most like to have been?
Sam Spade ... is there any other answer?
Who do you read for guilty pleasures?
Clive Cussler, Eric Ambler, Homer.
Most satisfying writing moment?
Chapter 41 of THE CHICAGO WAY. Not sure if it’s my favourite passage, but I remember writing it and feeling it in my bones.
The best Irish crime novel is …?
RESURRECTION MEN by Ian Rankin. Scottish, but close enough. (BTW, don’t say that too loud in Glasgow.)
What Irish crime novel would make a great movie?
RESURRECTION MEN by Ian Rankin.
Worst / best thing about being a writer?
The best thing is that it’s just you and your characters. The worst thing is that it’s just you and your characters. Make sense? It’s not supposed to. The bottom line is that writing a novel is one of the purest human endeavours anyone can undertake. It uses up no natural resources and creates something out of nothing. Not magic ... hard work ... but pretty damn cool.
The pitch for your next book is …?
A sequel to THE THIRD RAIL. It starts up a week after THE THIRD RAIL ends and all hell breaks loose.
Who are you reading right now?
Got a few going. Cormac McCarthy, Albert Camus, Aeschylus, Alan Furst and Daniel Silva.
God appears and says you can only write OR read. Which would it be?
Yikes ... I’m Irish Catholic. We don’t like to tempt fate and we don’t like these questions. If I were still a child, I’d say read. Right now, I guess I’d say write.
The three best words to describe your own writing are …?
Physical, cinematic, honest.
Michael Harvey’s THE THIRD RAIL is published by Knopf.
“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.