Has anyone else noticed the amount of work Gerard Brennan is getting through over at Crime Scene Northern Ireland? The guy must have eight arms, or else he’s repatriated all the elves who abandoned Crime Always Pays for the flesh pots of Santa Ponsa during the summer and never came back. Sob, etc.
Anyhoos, in the last fortnight alone, Gerard has posted interviews with uber-babe Arlene Hunt (right), Ken Bruen and Neville Thompson; reviewed Brian McGilloway’s BORDERLANDS and Paul Charles’ THE DUST OF DEATH; and posted sundry other Irish crime fic-related bits ‘n’ bobs. And not only that, but he’s gone and half-inched the only regular contributor Crime Always Pays ever had, aka Adrian McKinty, who’s written a very funny review of Julian Barnes’ ARTHUR AND GEORGE. And if that wasn’t bad enough, he gets tons more comments than Crime Always Pays does. Boo.
What’s to be done? Well, it’s obvious, innit – we’re taking a hit out on the boy Brennan and putting a CAP in his ass. Gerard? It’s pistols at ten paces in a murky Russian dawn. Well, it’s either that or slow down, squire. You’re making us all look bad …
“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.