“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Thursday, April 3, 2008

BLOODSTORM Und Drang

Yon Sam Millar’s (right) BLOODSTORM has been making a commotion of late, with the elves eager to point out that for once they’ve been off the Elf-Wonking Juice and on the case (see here and here). The Village Voice in particular caught the eye this week by describing Sam’s writing as “cheerful as a Leonard Cohen song on a wet night,” that being the kind of praise the Grand Vizier would gladly give his left kidney for, especially as he has booked front-row seats for Laughing Lenny’s giggle-fest in Dublin this coming June. Anyhoo, less of that and more of this:
“Irish author Sam Millar’s writing has been compared to Nick Cave’s. His books are as cheerful as a Leonard Cohen song on a wet night. It is easy to see why. Millar is prime-placed to write the dark and disturbing crime novels that he does because in his past he has visited some very dark places indeed. His latest tome, BLOODSTORM, keeps well within that dark tradition with a heart-stopping thriller … a relentlessly dark, page-turner of a book …” – The Village Voice, New York

“Belfast crime-writing giant Sam Millar’s controversial new book, BLOODSTORM, is the first in a new series of crime novels. This is not a novel for the faint of heart or the weak of stomach, but those with a strong stomach and a penchant for crime novels are advised to pick it up, for a taste of a true, Belfast original. BLOODSTORM opens cinematically, pulling no punches, warning of the darkness that lies in wait for the reader who carries on from here … this is an ambitious and gripping piece of work and Millar lays the groundwork here for a series which looks set to be addictive. Roll on the sequel.” – Verbal Magazine

“BLOODSTORM is a disturbing, page-turner of a book, keeping you on the edge of your seat right to the very end. Highly recommended for those with a strong stomach …” – Belfast Telegraph

“From the very first line to the last, BLOODSTORM grips your hands and refuses to let go, taking you on the darkest, scariest ride of your life. This is a compelling story of revenge and murder with an original voice worth dying for. Those with high blood pressure should avoid BLOODSTORM – and indeed all of Millar’s books. The rest of us can only wait for the next one to arrive …” – Irish Herald, San Francisco
Hmmm. Sounds like Sam’s just chucked down the gauntlet at Ken Bruen’s feet for the title of Prince of Darkness. Ding-ding, seconds out …

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