Acclaimed as literary novels, they are steeped in crime – but is it kosher to call them Irish crime fiction novels? YOU (via the comment box, natch) decide! This week: Flann O’Brien’s THE THIRD POLICEMAN.
A masterpiece of black humour from the renowned comic and acclaimed author of AT SWIM-TWO-BIRDS – Flann O’Brien. A thriller, a hilarious comic satire about an archetypal village police force, a surrealistic vision of eternity, the story of a tender, brief, unrequited love affair between a man and his bicycle, and a chilling fable of unending guilt, THE THIRD POLICEMAN is comparable only to ALICE IN WONDERLAND as an allegory of the absurd. Distinguished by endless comic invention and its delicate balancing of logic and fantasy, THE THIRD POLICEMAN is unique in the English language. – Amazon UK
Flann O’Brien’s most popular and surrealistic novel concerns an imaginary but hellish village police force and a local murder. Weird, satirical, and very funny, its popularity has suddenly increased with the mention of the novel in the TV film Lost. Here it comes to life in a new unabridged recording. “Even with ULYSSES and FINNEGANS WAKE behind him, James Joyce might have been envious,” wrote one critic about the work of Flann O’Brien. – Amazon UK (audio CD)
“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.