The Big Question: Is it just us, or does Diane Lane remind anyone else of an ever-so-slightly younger Donna Moore?
“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.
Friday, February 1, 2008
Funky Friday’s Freaky-Deak
Being the weekly cornucopic round-up of stuff ‘n’ nonsense from the interweb we were too busy / lazy / underwhelmed to write up as fully fledged posts, to wit: Ken Bruen (resplendent in oils, right, courtesy of KT McCaffrey), gets hauled in for questioning by the Podcast Inspector over at the Podcast Pickle, answering, among other queries, ‘the one question he hasn’t been asked that he really wants to answer – namely, what he really thinks of the Irish police’ … Meanwhile, the Grand Vizier of Crime Always Pays, aka Declan Burke, turns up here on Pulp Pusher waffling on about the importance of characters’ names … Over at The Guardian, Ronan Bennett allows mere mortals to peer into his rather resplendent cave in their ongoing ‘Writers’ Rooms’ series … ress – Stop the Press – Stop the Press: Joan Brady update: the author gives her side of the infamous ‘fumes wot wrecked my life and made me write crime fiction’ story in a rather poignant piece with The Guardian … Mark Sarvas at The Elegant Variation alerts us to some Benny Blanco vids, including one we illegally uploaded to YouTube ourselves, albeit without giving us the credit. Boo … Finally, a rare treat for fans of hysterically histrionic pop-opera at its finest. Lifted from the soundtrack of 1984’s STREETS OF FIRE, the vid features Diane Lane in a backless velvet red dress coming over all Bonnie Tyler to the god-like genius Jim Steinman’s classic, Tonight Is What It Means To Be Young. A perfect storm, we call it … although it might help if you appreciate that your correspondent was an entirely impressionable 14-year-old the first time he clapped eyes on this six minutes of pure joy. Altogether now: “And if I can’t get an angel / I can still get a boy / And a boy’ll be the next best thing / The next best thing to an angel / A boy’ll be the next best thing …” Sigh. Roll it there, Collette …