“Burke shows again that he’s not just a comic genius, but also a fine dramatic writer and storyteller.” – Booklist. “Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.
Wednesday, September 5, 2007
Blood Is Never Simple
Ever since the news started filtering back from Cannes that the Coen Brothers were not only back on form, but with an adaptation of a Cormac McCarthy novel, the elves have been fairly salivating at the prospect of No Country For Old Men. Due early next year, it’s a classic Coen set-up: guy finds a heap of money in desert, psychotic killer turns up to claim it, chaos ensues. The cast includes Tommy Lee Jones, Javier Bardem, Josh Brolin and Woody Harrelson, but don’t expect the skewed black comedy of Fargo or The Big Lebowski: taking its cue from the pessimistic WB Yeats title, this baby’s dark, dark, dark, and very much a return to Blood Simple territory. McCarthy, the Coens, and a neo-noir classic-in-the-making? Truly our cup runneth over.