“I first met Siobhan in 1988 when I was running the Freedom-to-Write Program for PEN American Centre and she was running the International Writers-in-Prison Committee for International PEN in London. Among other things, she kept PEN’s ‘census’ of imprisoned writers on whose behalf members ran campaigns. In those days before the end of the Cold War, there were many hundreds of such writers. I enjoyed our long-distance relationship, and sensed that for various reasons Siobhan was restless for change and challenge, and when I moved on from PEN to Human Rights Watch in 1990, I suggested she move to the U.S. to take over my job, and the switch was made. She was a terrific success in her seven years here, and made many friends who are among the many grieving today. Back in England, she did children’s rights work, edited a book of prison writing, and started writing her own fiction. I read her first book, A Swift Pure Cry, last year. Though it was written for young adults, I thought it was a gem that deserved a wider audience. Perhaps because she was writing against time, given her diagnosis, she was extraordinarily prolific in the last few years, publishing The London Eye Mystery in June and having finished two more novels with a fifth underway at the time of her death.”Siobhan Dowd, 1960-2007, RIP.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
1 comment:
You're right, Declan. Siobhan was a lovely person, and wrote such friendly emails. I'd heard her cancer was getting worse recently, but still hoped it wouldn't be this quick. She will be missed.
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