Well, that was a blast. The first leg of the German tour to promote THE BIG O (Edition Nautilus) was terrific fun, taking me from Berlin to Erfurt, on to Braunschweig, back to Berlin, hence to Hamburg, and finally to Unna, for ‘Mord und Hellweg’, the biennial crime fiction festival billed as the biggest in Europe.
It’s been a crazy week. Highlights included hearing scenes from THE BIG O performed by actors (in German, natürlich – a bizarre experience for yours truly); a reading in front of an audience of 250 in a brewery in Braunschweig, which offered as much beer as you can drink with your admission ticket (why aren’t all literary events held in breweries? – discuss); a reading in a mortuary (!); a guided tour of Hamburg’s St. Pauli and Reeperbahn district (I made my excuses and left, eventually); and trying to explain the term ‘screwball noir’ to German audiences when I haven’t the faintest idea of what it might mean in English.
The experience, as before, was made utterly painless by my friend, guide and translator, Robert Brack, who is better known in Germany as a best-selling and highly accomplished crime author. For some reason, his novels (35 and counting) have yet to be translated into the English language, although I’d imagine some savvy publisher will do so very soon.
So – that’s it for the first leg; I’ll be back in Germany again in 10 days’ time, for a couple of sold-out gigs in Berlin. By which time I might even have come up with a definition of ‘screwball noir’ …
Showing posts with label Germany. Show all posts
Showing posts with label Germany. Show all posts
Saturday
As God Is My Witness, I’ll Always Be Hungary Again
It’s been a good week for our humble tome THE BIG O, folks. Not only did it ascend at one point to the nosebleed-worthy heights of 33,128 (whoo-hoo!) on the Amazon.com rankings, but the rumours of foreign translations, in the wake of the Frankfurt bun-fight, grow stronger by the day. For lo! Apparently there’s an Italian publisher showing ‘strong interest’ in foisting THE BIG O on an unsuspecting Italian public, which would be pretty cool given that I have very fond memories of finishing the second-to-last draft of said tome on the Aeolian island of Lipari, this during the holiday that I proposed to my wife. Nice. Just as intriguing is the news that there’s ‘very strong interest’ from a German publisher, even though I’ve never finished any drafts of anything in Germany, nor managed even so much as a smooch with a fraulein. Still, crime fiction seems to be coming strong in Germany in the last few years in particular – at least, we presume it’s still coming strong, even though we haven’t heard from our old friend Bernd Kochanowski in ages. Bernd? If you’re out there, buddy, just send a carrier pigeon …
Finally, it’s been confirmed that a Hungarian publisher will inflict THE BIG O on its nation’s denizens next year, which news is the kind to tickle my always flabber-prone gast. Yes, yes, I appreciate that such developments represent small potatoes to the more established scribes among you, but given that THE BIG O was originally a co-published book put together on a budget of three bent paper-clips and a snapped elastic band, the idea that it’ll see the light in Hungarian is simultaneously hilarious and poignant. Like, Hungary? You’re kidding, right? You’re not? Oh …
To celebrate, I’m going to run the new and improved ‘book trailer’ devised by Shay Bagnall, the entirely immodest new-and-improved elements being some blurbs that were kindly delivered by John Connolly, Reed Farrel Coleman and Booklist - plus a cute little ‘smoking gun’ add-on the Baggsman threw in for giggles. Hell, smoke ’em if you got ’em, right? Roll it there, Collette …
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