Showing posts with label Delphi. Show all posts
Showing posts with label Delphi. Show all posts

Wednesday

Publication: THE LOST AND THE BLIND arrives in paperback

The very fine folk at Severn House have published THE LOST AND THE BLIND in paperback, which now comes – for the diehard completists – with added cover quotes. My favourite – and I hope you’ll forgive the shill, but it’s an unavoidable part of the publicity game – comes from those very nice people over at Booklist: “Burke shows again that he’s not just a comic genius, but also a fine dramatic writer and storyteller.” I thank you kindly, Mr and Mrs Booklist.
  Meanwhile, the Severn House blurb elves have this to say about THE LOST AND THE BLIND:
“A dying man, if he is any kind of man, will live beyond the law.” The elderly German, Karl Uxkull, was senile or desperate for attention. Why else would he concoct a tale of Nazi atrocity on the remote island of Delphi, off the coast of Donegal? And why now, 60 years after the event, just when Irish-American billionaire Shay Govern has tendered for a prospecting licence for gold in Lough Swilly? Journalist Tom Noone doesn’t want to know. With his young daughter Emily to provide for, and a ghost-writing commission on Shay Govern’s autobiography to deliver, the timing is all wrong. Besides, can it be mere coincidence that Karl Uxkull’s tale bears a strong resemblance to the first thriller published by legendary spy novelist Sebastian Devereaux, the reclusive English author who has spent the past 50 years holed up on Delphi? But when a body is discovered drowned, Tom and Emily find themselves running for their lives, in pursuit of the truth that is their only hope of survival. This gripping Irish thriller is an intriguing new departure for comic noir writer Declan Burke.
  The paperback is currently retailing at £11.99 at Amazon UK, with the US paperback edition available (at $17.95) from November 1st. I hope you enjoy, folks …

Tuesday

Sideline: Greek Islands and Me

You’ll excuse me diverting away from the usual fare on Crime Always Pays, I hope, but I stumbled across this fabulous photograph of the Greek island of Monemvasia on the Huffington Post’s Travel section this morning – I’ve never been to Monemvasia, but there was a certain shock of recognition, given that it strongly resembles (in my mind at least) the fictional island of Delphi, in Donegal’s Lough Swilly, where I set a goodly chunk of my spy thriller THE LOST AND THE BLIND (Severn House). To wit:
Once we’d crossed the central channel, we began curving sharply around to the south, the ferry picking up speed as we ran with the current and came around parallel to Delphi’s western shore. The coastline was unforgiving, a high rocky bluff crowned with thick forest, and I began to wonder if we’d need to anchor off-shore and take a tender to the island. Then, as we were passing a stubby promontory, the pilot pulled a ferry’s equivalent of a handbrake turn, throwing the wheel over and dragging a dull bellow of protest out the engines as he rammed them into reverse. For a moment we hung suspended in the current and then we slid easily into a tiny horseshoe bay surrounded on three sides by sheer cliff. The harbour was so calm that for a second or two, as we steamed towards the village tucked into a crevice in the cliffs, I believed we were going to ram the outlying buildings. It wasn’t until the first few houses began to waver and dance that I realized they were a reflection, the mirror-still surface unsettled by the wake pushed out under our prow ...
  Kee rolled the car down on to terra firma, up on to the pier. There she paused. On our left, tucked in under the sheer headland, was a large car park sparsely populated by cars, some of them under tied-down canvas coverings, along with a couple of small trucks and a handful of camper vans. At its entrance we found a topographical map informing us that Delphi boasted no more than a single road that was navigable by car, which encircled the island and hugged the coast all the way round. Otherwise the interior was essentially a steep-sloped pine-covered mountain accessible only by footpaths and hiking trails, with a single donkey path leading straight up from the rear of the village to a viewing point high on the cliffs above …
  For more on Monemvasia, clickety-click here.
  For more on THE LOST AND THE BLIND, clickety-click here.