Emerald Noir: Val McDermid Speaks

The doyenne of British crime fiction, Val McDermid (right), turns her steely gaze on the Irish crime novel next Tuesday, March 8th, in a BBC radio programme entitled ‘Emerald Noir: The Rise of Irish Crime Fiction’. Quoth the BBC blurb elves:

Peace in Northern Ireland and the economic boom and bust in Southern Ireland have led to a recent rise in crime fiction.
  Val McDermid looks at the way real life violence has been dealt with in the work of authors including Tana French, Eoin McNamee, Ruth Dudley Edwards, Stuart Neville and Declan Hughes. We meet David Torrans - whose bookstore in Belfast has been fictionalised in Colin Bateman’s series of crime novels. Declan Burke - author of the blog Crime Always Pays - takes us on a tour of Dublin locations featured in crime novels from the modern Docklands offices which inspired Alan Glynn’s novel Winterland to the hotels and shops of 1950s Dublin featured in the crime fiction of Booker winner John Banville - who writes under the name Benjamin Black.
  Val asks whether the Noir novel is a protestant art form and hears how writers are trying to find new villains in a place where violence has - until recently - been part of everyday life.
  Producer: Robyn Read.
  Tuesday, 11:30 on BBC Radio 4

  Nice. It’s entirely serendipitous that the programme airs in advance of the publication next month of DOWN THESE GREEN STREETS: IRISH CRIME WRITING IN THE 21st CENTURY, edited by one Declan Burke (Liberties Press), a collection of essays, interviews and short stories by Irish crime writers which includes all the names mentioned above, and also John Connolly, Ken Bruen, Arlene Hunt, Alex Barclay, Adrian McKinty, Gene Kerrigan, Jane Casey, and many more. GREEN STREETS will be published next month, and will be the subject of a New York University symposium on the rise of the Irish crime novel at the end of April, more of which anon.
  Finally, for the day that’s in it, here’s a rather fine review by David Park in the Irish Times of Adrian McKinty’s new offering, FALLING GLASS. The gist runs thusly:

McKinty is a streetwise, energetic gunslinger of a writer, firing off volleys of sassy dialogue and explosive action that always delivers what it has promised the reader. The story is skilfully constructed, and the pace is always full throttle forwards. There is one violent scene in Mexico involving a chainsaw that is definitely not for the squeamish, but it would be unfair to think of the author as someone exclusively reliant on external action. There is, for example, an interesting psychological exploration of Killian’s re-embracing of his half-forgotten roots and the cultural values of the Traveller community. Even the dark figure of Markov, the Russian hitman, gets layered and lightened with some psychological subtleties that are the product of his relationship with his partner, Marina, and experiences of the war in Chechnya that continue to haunt him.

  For the full review, clickety-click here …

Fiddling With His Funny Bits: The Bateman Interview

With his latest ‘Mystery Man’ novel, DR YES, on the horizon, and a new play in the works, I recently interviewed Colin Bateman (right) for the Evening Herald. It went a lot like this:

FOR A MAN who recently lost his first name, The Artist Formerly Known As Colin Bateman is in remarkably chipper form.
  The prolific writer (25 novels and counting) of comedy crime novels that began with DIVORCING JACK was recently rebranded ‘Bateman’ to coincide with the publication of a new series character who goes only by the name ‘Mystery Man’ as Bateman spoofs the conventions of the traditional crime thriller.
  “It’s kind of a mixed blessing,” he says of his new moniker. “It has undeniably worked as far as the books are concerned - or maybe the books are getting better - in that there’s a recognition factor there. The downside, I suppose, is that if you don’t know it’s tongue in cheek, you’d think it was a bit self-important. And of course, now that I have that doctorate from Coleraine University, I’m officially a Doctor, so the new book could be DR YES by Dr Bateman. If I chose to, ahem, yank my own chain.”
  Fiddling with his funny bits, of course, is what led to the creation of Bateman’s choicest character to date.
  “Most of my books have been launched in Belfast’s No Alibis mystery bookstore,” he says, “and at a launch I generally read the first chapter of the new book: you don’t have to set it all up or confuse people with back stories and asides. But when I was launching DRIVING BIG DAVIE about six years ago I had a bit of a problem – the first chapter was all about masturbation, and my mother-in-law was in the audience. So I had to read something, and that something was a story I wrote over the weekend before the launch, actually set in the bookstore, and with a fictional version of the owner [Dave Torrans] cracking a humdrum crime in ‘The Case of Mrs Geary’s Leather Trousers’. It really was just to fill a gap, but it went down so well that at the next book launch I wrote another short story featuring the same character, and those two stories eventually evolved into the first novel.”
  Mystery Man’s schtick is that he is the antithesis of the conventional crime fiction hero: he’s a cowardly neurotic, a hypochondriac with all the fighting qualities of a cloistered nun, a man who excels only at “being paranoid and foolish and saying the wrong thing, mostly. Yep, it’s a thinly veiled autobiography,” laughs Bateman. “I think Mystery Man and Dan Starkey [the wise-cracking hero of Bateman’s previous series of novels] have a lot in common in that they both tend to open their mouths before they put their brains into gear. The difference is that Dan’s a bit of a jack-the-lad, and if he doesn’t exactly get away with it, he does have a bit of charm and swagger to him. Mystery Man you’d probably just want to hit with a hammer. I suspect I’m probably half way between the two of them.”
  The first in the new series, MYSTERY MAN, was a Richard and Judy ‘Summer Read’, while the second, THE DAY OF THE JACK RUSSELL, scooped the Last Laugh award at the recent CrimeFest bunfight in Bristol. The third, DR YES, will be published on September 30th, but Bateman isn’t resting on his laurels.
  “I think it’s important to keep the writing fresh,” he says, “so I’m always open to new challenges – the most recent being writing an erotic short story for Maxim Jakubowski’s Dublin-set anthology, SEX IN THE CITY, which story is chiefly notable for having no discernable erotic content.”
  Having previously written for TV, most notably the Murphy’s Law series that starred James Nesbitt, Bateman has now turned to writing for the stage.
  “‘National Anthem’ is about a composer and a poet,” he explains, “both exiles for twenty years, and with a certain level of fame, who are commissioned by the Government to create a national anthem for Northern Ireland to coincide with the visit of the American President. They’re very much up against a deadline: two men in a room with one day to compose it. But this isn’t the country they left, and they both have secrets which are exposed during the course of the play, secrets which also come back to haunt them. I should add that it’s a comedy, a farce, but maybe with a few points to make about how ‘we’ see ourselves, where we’ve been and where we’re going.”
  After that it’s back to another Mystery Man novel, and using comedy to continue to carve out a niche in what he believes is quickly becoming a depressingly homogenous genre.
  “In publishing terms,” he says, “crime fiction is the biggest genre, and the best-selling authors are selling phenomenal amounts of books. But I genuinely believe that 99 per cent of crime readers, if they were given just the books minus their covers and any identifying information, really couldn’t tell the difference between any of them.
  “I was at the Harrogate Crime Writing Festival a couple of months ago and I met many crime fiction fans, and they were all perfectly nice and lovely and I got a great reception and they laughed at my jokes, but it was absolutely clear to me that at the end of the day what they actually wanted was the next Jeffrey Deaver, or Patricia Cornwell or Karin Slaughter. They like the safety of knowing what they’re getting every time they buy a book, and there’s absolutely nothing wrong with that, but most of them just aren’t comfortable with the idea of crime comedy and won’t take a chance on it.
  “I think maybe readers have forgotten that there was a strong element of humour in crime fiction in the past - Sherlock Holmes and Raymond Chandler had it in spades - but it seems to have been sucked out of it over the years in favour of blood and guts.
  “It’s not so much that comic crime is cutting edge,” he continues, “it’s just that I think anything that varies from the norm is always worth checking out. Comic crime fiction at least dares to be different. It also,” he grins, “dares not to sell very many copies.”

  DR YES is published by Headline on September 30th. National Anthem debuts at the Belfast Theatre Festival on October 20th.

  This interview first appeared in the Evening Herald.

Meet Dave, He’s A Goliath

A veritable giant in the world of Irish crime fiction, aka Dave Torrans of Belfast’s crime bookshop No Alibis (right, with Stuart Neville and James Ellroy), goes into hospitality overdrive next week. First up, John Connolly, who is currently promoting the new Charlie Parker novel, THE WHISPERERS:

On Monday 3rd May at 7:30 PM, the Cathedral Quarter Arts Festival and No Alibis Bookstore will be hosting a screening and talk with author John Connolly in the Oh Yeah Centre in Belfast’s Cathedral Quarter. Tickets, priced £5 each, are now available from CQAF and from No Alibis.

  Nice. Then, on Wednesday, May 5th, Dave and No Alibis hosts Declan Hughes and Brian McGilloway, both of whom will be reading from new works, CITY OF LOST GIRLS and THE RISING, respectively, with the gig kicking off at 7pm …
  And as if that wasn’t a busy enough schedule, Dave will be in Dublin on Thursday, May 6th, to take part in a seminar at the Royal Irish Academy (there’s posh) entitled ‘Writing and the Possible in 2010’, sitting in on a panel that ‘will focus on reading and the ways in which we read literary texts in Ireland in 2010’. The seminar is free, but if you want to get along you’ll need to register here …
  To book tickets for the Connolly and Hughes / McGilloway gigs, contact No Alibis on +44 (0)28 9031 9601.

“Alibis? We Don’t Need No Stinking Alibis!”

They did it for John Connolly’s THE BOOK OF LOST THINGS, and now the good folk at Belfast’s premier crime fiction outlet No Alibis are giving Paul Charles’ THE DUST OF DEATH the plush limited edition treatment. Quoth the Belfast Telegraph:

A novel by crime writer Paul Charles which first appeared in the shops as a £15.99 hardback is going back on the shelves – as a £150 leather-bound limited edition.
  The new-look THE DUST OF DEATH, in which the author introduces good cop Starrett, is the work of Belfast bookbinder Liam McLaughlin, with illustrations by Anne M Anderson [above, right] for Edel Torr Editions.
  Only 75 copies of the limited edition, printed by Nicholson & Bass, are going on offer at the No Alibis Bookshop in Botanic Avenue tomorrow.
  There is a waiting list for the books and they are expected to sell out quickly.
  “I’m deeply flattered by this gesture,” said show business agent-turned-writer Charles, originally from Magherafelt, who now lives in Camden with his wife Catherine.
  “It’s all about David Torrans of Edel Torr and his love of books and the special edition is definitely aimed at collectors.”

The launch takes place today, Thursday 21, at 6pm, No Alibis, Botanic Avenue, Belfast. Oh, and the Telly also reports that Paul is currently polishing off his 13th novel, a Christy Kennedy title called THE BEAUTIFUL SOUND O SILENCE. All together now: “There’s a kind of plush / All over the world …”