The Svalbard archipelago, 1977, Norwegian territory, yet closer to the North Pole. Russian engineer Yuri arrives on the last boat to the Soviet mining outpost of Pyramiden, as the Arctic sun disappears for the winter. Yuri still plays by Stalin-era rules: Don’t trust anyone; Keep your head down; Look after number one. Yet when a co-worker is found dead deep in the mine, the circumstances appear strange. Against his better judgement, Yuri breaks his own rules, and decides to investigate. At the same time, he begins a stormy love affair with the volatile, brooding Anya. She has come to Pyramiden to meet someone who has not shown himself in three months, if he exists at all. While the whole island is frozen in 24-hour darkness, Yuri enters a dangerous world of secrets and conflicting agendas, where even the people closest to you are not always what they seem.THE RELUCTANT CONTACT will be published on September 7th. For more, clickety-click here …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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