“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Sunday, February 21, 2016

Review: DEAD SECRET by Ava McCarthy

Ava McCarthy is best known for her Harry Martinez computer hacker novels, but DEAD SECRET (Harper, €8.99) is a standalone thriller that hits the ground running: its narrator, Jodie Garrett, tells us that she’s packing a gun with nine rounds but will only need two: one for her husband and one for her. The reason? Her husband Ethan, who was always a bully, murdered their daughter Amy when Jodie finally announced she was leaving him.
  The pace is relentless as Jodie joins forces with journalist Matt Novak, who is investigating Ethan’s dodgy real estate dealings. The pair travel from Boston to Belize and on to Oregon in a breathless, contemporary take on an ancient Greek myth, with Jodie an implacable Fury relentlessly hounding Ethan in pursuit of vengeance and the ultimate in justice on behalf of her daughter.
  The pounding pace and rapid-fire revelations means that the story can teeter on the brink of parody at times, but the overall result is a compulsively readable domestic noir. – Declan Burke

  This review was first published in the February crime fiction column in the Irish Times. Other titles reviewed are THE NARROW BED by Sophie Hannah, THE OTHER MRS WALKER by Mary Paulson-Ellis, THE SYMPATHIZER by Viet Thanh Nguyen, and THE GOOD LIAR by Nicholas Searle.
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