A fictional version of writer Burke is confronted by a character from an unfinished novel. Karlsson, the now-corporeal character, is irked at the limbo he has been left in. Burke is under pressure from his publisher to submit his next manuscript, but Karlsson is alternately charming and cheeky, and Burke agrees to let him write his own story. This gripping tale subverts the crime genre’s grand tradition of liberal sadism. Not only an example of Irish crime writing at its best; it is an innovative, self-reflexive piece that turns every convention of crime fiction on its head.The piece also includes novels by Gene Kerrigan, Tana French, Alan Glynn, Adrian McKinty, Ken Bruen, Stuart Neville and Declan Hughes. For all the details, clickety-click here …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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