“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Thursday, November 29, 2012

Thus Spake Mr & Mrs Kirkus …

J. Kingston Pierce compiles his Top Ten Crime / Mystery novels of 2012 over at the Kirkus Reviews blog, and you won’t be even remotely surprised to learn that a certain BROKEN HARBOUR by Tana French shows up. More intriguing, perhaps, is the fact that there’s a second Irish crime novel on the list, and one that seems to have flown under many radars this year: Anthony Quinn’s debut, DISAPPEARED. To wit:
“Quinn enriches DISAPPEARED with Irish history and does an excellent job of ratcheting up the tension as his plot unfolds.” - J. Kingston Pierce
  Very nice indeed. For more on DISAPPEARED, clickety-click here …
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