Charlie is a pick-pocket with a complicated past. He steals El Niño’s wallet, then falls in love with her. She’s wild, beautiful; intoxicating. He’s a recovering alcoholic and needs to stay away from the pubs. Their relationship takes flight and is full of passion and possibility. But soon Charlie’s demons come back to haunt him. P.J., a member of an old crime gang he used to work with, offers Charlie some work – a once-off robbery that seems well planned and very profitable. But it doesn’t turn out that way and one of the crew is arrested. P.J.’s boss is Kramer – a vicious thug that Charlie grew up with in his hometown of Ballinrobe. They’d gone their separate ways when Kramer began dealing cocaine and started a gang war that nearly cost Charlie his life. Now he’s back and he’s sure Charlie is talking to the police – an unforgivable crime in gangland. It seems there are no ‘outs’ and all the couple can do is try and escape, but fate seems to have other plans …EL NIÑO is set on the mean streets of Galway and Ballinrobe, and it remains to be seen how the Godfather, aka Ken Bruen, reacts to someone cutting in on his turf. As for the novel itself, well, you can clickety-click here for a sample if the spirit so moves you …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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