Behind the façade of Nun’s Cross, an exclusive gated development in South Dublin, lurks a dark secret. The body of one of its residents, Amanda Wells, is found in a shallow grave in the Dublin mountains, a plastic bag stuffed in her mouth. When her neighbour, Derek Carpenter, disappears, he becomes the prime suspect: he was questioned about the disappearance of his sister-in-law, Sarah, many years earlier. It seems like an open and shut case, but DI Jo Birmingham is not so sure, and she has her own personal reasons to prove Derek innocent: it was her husband Dan who had cleared Derek of Sarah’s disappearance. But when Jo starts digging, she unearths more than she bargained for, and her own fragile domestic peace comes under threat. And the one person who could help Jo crack the case, Derek’s wife Liz, is so desperate to protect her family that she is going out of her way to thwart all efforts to establish the truth. Can both women emerge unscathed?There’s a depressing familiarity to the phrase ‘body found in a shallow grave in the Dublin (or Wicklow) mountains’ these days, and it’ll be interesting to see what O’Connor - true crime editor with the Sunday World - carves from the stark facts and newspaper headlines. TOO CLOSE FOR COMFORT isn’t due until June, but it’s certainly one for your calendar …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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